Jeff Cobb has been granted his release by New Japan Pro Wrestling (Picture: AEW/Lee South) Wrestling star Jeff Cobb could be finally joining WWE after New Japan Pro Wrestling confirmed his departure the week of WrestleMania 41. The 42-year-old wrestler, who has has made his […]
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TVAimee Lou Wood says SNL has apologised over a ‘mean’ skit over the weekend (Picture: Jeff Kravitz/FilmMagic for HBO) Aimee Lou Wood has blasted Saturday Night Live over a recent skit poking fun at her appearance. The White Lotus actress has branded the sketch – […]
TVSiobhan Finneran has a low-key life away from the cameras (Picture: REX/Shutterstock) Siobhan Finneran, lead of ITV’s new thriller Protection, appears to have struck up a sweet romance with another popular TV detective. The British actor, 59, has been involved in several staple shows, from […]
TVSiobhan Finneran, lead of ITV’s new thriller Protection, appears to have struck up a sweet romance with another popular TV detective.
The British actor, 59, has been involved in several staple shows, from BBC’s hit crime drama Happy Valley opposite Sarah Lancashire to Downton Abbey’s grouchy Miss O’Brien.
If you are an avid TV watcher, you will have come across something the Bafta-winning actor has featured in, whether it’s Alma’s Not Normal, Time, The Recokning or Benidorm.
Her latest role is as a witness protection officer whose life is torn apart when a family she is protecting falls under attack – bringing the ghosts of her past, present and future home to roost.
All this to say that the six-part heart-pounding crime drama is familiar territory for the Lancashire-born actress.
Here’s what we know about the acclaimed actress’s life away from the limelight.
Siobhan was married to star of police procedural Heartbeat, Mark Jordon, for 17 years before they got divorced in 2014.
In 2001, a few years after the pair married, Mark (also known for his roles in Casualty, Hollyoaks and Doctors) spoke about his then-wife in an interview with The Mirror.
‘She’s just so lovely. We met when I was 20 and she was a bezzie, bezzie mate for years. We didn’t realise that half of our fun was flirtatious,’ he said at the time.
The pair had even acted in Heartbeat together a few years previously. Recalling his proposal story, Mark once said he ‘took her down to London for a romantic weekend’ that involved a limo and her favourite music.
After the couple parted ways in 2014, Siobhan was romantically linked with Don Gilet – the new lead star of Death in Paradise.
The pair worked together on the 2017 ITV drama The Loch which centres around a murder in a small Scottish town. Since then, they have appeared on the red carpet together and were seen holding hands at the 2024 TV Choice Awards.
And although they have kept their rumoured romance low-key, Siobhan seemed to confirm the relationship in a recent chat with The Guardian.
As she recommended her favourite artist, Rudi Hurzlmeier, she reminisced on a sweet anecdote involving the TV detective.
‘I found a card I’d been sent years ago, clearing out a drawer, and laughed as soon as I saw it again.
‘It’s a picture of a nun looking in a shoe shop, and a bloke next to her has got his hand on her bum. I showed it to Don [Gilet], my fella, and now one of my Christmas presents is a book of Hurzlmeier’s work,’ she said.
Yes, Siobhan shares two children with her ex-husband Mark. A daughter Poppy and son, Joseph who are both in their late 20s.
In a recent interview with The Guardian, she spoke a bit about taking a step back from acting to raise her children.
She said: ‘You sometimes look back and think, yeah, I made a decision not to work when the children were small.
‘But I don’t think I’d made a decision. I think there probably wasn’t a lot of work coming in, and that just fitted in quite brilliantly with the fact that I had two kids under the age of two.’
As for Mark, his role as a father is front and centre on his social media, with his Instagram handle reading markjordondad where he occasionally shares photos with his children.
Perhaps one of the biggest questions that came from Siobhan’s three season stint on the ITV period drama Downton Abbey was the reason behind her sudden departure.
The villainous lady’s maid, Miss O’Brien, was a firm fixture of the show, filled with snarky quips, a firm alliance with the scheming Thomas Barrow and plenty of disdain for poor and rich alike.
But, at the start of season four, viewers were informed that Miss O’Brien had abruptly left her post to follow Lady Flintshire to India.
Siobhan later shed some light on the reason behind her exit, and made clear it was entirely her decision to not renew her contract.
‘I signed up to do three series and that was all I wanted to do,” she explained.
‘I had great fun doing it but I just didn’t want to do it any more. I decided this before we even did the last series. When I stop loving something, I stop doing it.’
Protection airs at 9pm on Sunday, March 16 on ITV1 and will be available to stream on ITVX.
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It’s time to cancel all your social plans as Netflix is about to drop its next binge-worthy murder-mystery.
Prepare to not leave your house on Thursday as that is when The Residence is coming to the global streaming platform.
The whodunit stars Orange Is The New Black star Uzo Aduba as eccentric detective Cordelia Cupp, tasked with solving a murder at the White House.
The all-star cast also features the likes of Breaking Bad’s Giancarlo Esposito, Always Be My Maybe’s Randall Park and Kylie Minogue.
Fans have already compared The Residence to zany caper Knives Out after watching the trailer.
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Among them is @JoseBaghiroli, who said on YouTube: ‘It’s the West Wing/Knives Out crossover I never knew I needed.’
@heyitsthatspinabifidachick1351 shared: ‘I have my reminder set on Netflix. I can’t wait to see this show.’
@redeye007 commented: ‘This is the Netflix version of Only Murders in the Building. Looks like my kind of show. Next season should take place at Buckingham Palace.’
Echoing their sentiment, @whatthebuckfan89 added: ‘Oh my goodness I saw this was set in the White House I usually don’t go for any shows about politics, but this looks hilarious the delivery of the detective genius.’
Created by Paul William Davies, The Residence is produced by TV legend Shonda Rhimes’s production company Shondaland, also behind shows including Grey’s Anatomy, Scandal and Bridgerton.
If you can’t wait until Thursday, Netflix fans have also been recommending recently added drama Adolescence.
Starring Line of Duty’s Stephen Graham and Owen Cooper in his debut onscreen role, one-shot drama Adolescence tells the harrowing story of a 13-year-old boy accused of the murder of a girl in his class.
Over four episodes, it follows Jamie Miller (Cooper) arrested and charged with the heinous crime, with Top Boy’s Ashley Walters playing Detective Inspector Luke Bascombe, who is assigned to Jamie’s case.
Viewers see the impact of Jamie’s actions on his school, his family, and the shocking CCTV evidence behind the act before The Crown actress Erin Doherty, who plays a clinical psychologist, delves deeper into his mindset and the impact the ideologies from the likes of Andrew Tate are having on young men.
‘Finished #Adolescence, what an incredible show. We genuinely do not talk enough about the greatness of Stephen Graham. This final scene had me bawling,’ KongoZande said, to which Samantha commented on X: ‘Same, I’m still crying and it ended about 5 minutes ago. He is phenomenal. Just wow.’
Kellam wrote: ‘Guys Adolescence on Netflix is potentially the closest thing we have to perfect tv. Severance, Paradise and now this? How greedy. All shot in one take too? Mental.’
Tim called it ‘the most sensational piece of television I’ve seen in years’, while Jiya said it ‘is truly a brilliantly crafted show’.
Director Philip Barantini and writer Jack Thorne previously spoke to Metro to discuss the importance of the conversations being sparked by this drama and why the one-shot style of filming was vital to the story.
Philip, who also directed 2019 film Boiling Point in one shot, which also starred Stephen, explained why this filming technique isn’t a ‘gimmick’, but a tool to draw the audience in to an even greater degree and ‘force them to pay attention’.
He said: ‘It’s relentless, and it puts a perspective on things that you wouldn’t necessarily have. You can’t jump forward in time, you can’t cut to another person, you can’t go to a close up.
‘We wanted to just dip the audience in for an hour in this particular moment in time, dip them back out again, and then put them in a few months later and let them work it out themselves.
The Residence is coming to Netflix on Thursday, March 20.
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Guilt follows an American student who is accused of murdering her roommate (Picture: Disney General Entertainment Con) Amazon Prime Video viewers have been binge-watching an ‘addictive’ thriller packed full of twists and turns. The streaming platform recently added the first and only season of murder-mystery […]
TVAmazon Prime Video viewers have been binge-watching an ‘addictive’ thriller packed full of twists and turns.
The streaming platform recently added the first and only season of murder-mystery Guilt, which first debuted on Freeform in 2016.
The drama stars Daisy Head as Grace Atwood, an American student in London, who becomes the prime suspect in a murder investigation after the killing of her roommate Molly Ryan (Rebekah Wainwright).
Guilt is said to be inspired by the real-life case of Amanda Knox, an American exchange student living in Italy who was wrongfully imprisoned for nearly four years for the 2007 murder of her roommate Meredith Kercher.
Having long maintained her innocence, Knox’s murder conviction was overturned in 2015 by Italy’s highest court, the Supreme Court of Cassation.
On Google, fans have been raving about Guilt and praised the show, which features the likes of Billy Zane, for having ‘fantastic acting.’
Among them is Srinivas Gowda, who enthused: ‘This show is very intriguing and makes you wonder what exactly is going on with the lives of these innocent, twisted people. That’s when you slowly realise how everyone is connected in this controlled chaos all linking to a bloody dead body at a house party. True to the show’s title, everything the show depicts is about the “Guilt”. In my personal opinion the show is underrated on IMDB.’
Echoing their sentiment, Kevin McManus said: ‘Loved every minute of it fantastic acting.’
Over on Rotten Tomatoes, Jon C wrote: ‘It’s a guilty pleasure. The creators take a murder-mystery and use the Amanda Knox approach. During a trip to London a young girl Grace finds her roommate Molly murdered and all the fingers point to her.
‘The show turns into an addictive, chilling story about this girl’s involvement and wondering if she is guilty or not. Other characters like Grace’s sister, boyfriend, and attorney try their hardest to prove her innocence.
‘As the evidence builds up, the number of suspects does too, but it also means deadly consequences. Connections lead to money, sex, drugs, lies, betrayal, doing things against our own nature, and getting mixed up with powerful, dangerous individuals.
‘Sexy, sly, brutal TV making for the young crowd. Cool plot twists and hip players.’
Guilt is not the only show gripping Amazon Prime Video viewers.
They’ve also been devouring every episode of family crime drama they claim ‘outshines’ Peaky Blinders.
Animal Kingdom even stars one of the BBC’s show’s actors, Finn Cole, who played Michael Gray.
First aired in 2016, the thriller follows Finn’s character Joshua ‘J’ Cody who moves in with his estranged relatives, the Codys, who run a criminal family enterprise in California, after the death of his mother.
On Reddit, Turbulent-Truth-4059 urged: ‘How is no one talking about how good ANIMAL KINGDOM IS🔥🔥🔥 watch it.’
Agreeing, FineJellyfish4321 raved: ‘Yes!!! I always recommend it and a lot of people don’t even know about it. I didn’t until last year but once I started I was absolutely hooked! That is hands down one of the best shows I’ve ever seen!’
jwC731 added: ‘Highly underrated show imo.’
Guilt is available to stream on Amazon Prime Video.
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Rachel Zegler and Gal Gadot appeared at the recent premiere of Snow White (Picture: Getty) Rachel Zegler and Gal Gadot appeared at the world premiere of Disney’s Snow White at El Capitan Theatre in LA yesterday. The film, which will be in theatres March 21, […]
FilmRachel Zegler and Gal Gadot appeared at the world premiere of Disney’s Snow White at El Capitan Theatre in LA yesterday.
The film, which will be in theatres March 21, was also celebrated by attendees like Disney CEO Bob Iger and producer Marc Platt, as well as members of the Boys and Girls Club of San Fernando and Malibu affected by the Los Angeles wildfires earlier this year.
Other cast members on the carpet included Martin Klebba, Lorena Andrea, Jason Kravits, Dujonna Gift, and Indriss Kargbo. Other cast members like Tituss Burgess, Andrew Barth Feldman, and Andrew Burnap did not attend the event.
According to a press release, guests at the premiere participated in activities including ‘forest friends grove with rabbits, professional glamour shots, a fairytale glam station, and opportunities to create your own jeweled crown, pocket mirror, and candy salad.’
The premiere comes amid continued controversy surrounding the remake of the iconic Disney classic.
The backlash began nearly four years ago when West Side Story actress Rachel Zegler, who is of Colombian descent, was cast as Disney’s original princess, most famous for having ‘skin as white as snow.’
The racist complaints are reminiscient of those that Halle Bailey faced after being picked to play Ariel in The Little Mermaid, with some fans being left outraged at Disney’s push for more culturally representative storytelling.
Snow White ran into more negative press coverage when Game Of Thrones star Peter Dinklage branded the studio ‘backwards’ for their decision to remake Snow White.
The actor, who has a common form of dwarfism known as achondroplasia, said he was ‘a little taken aback when they were very proud to cast a Latina actress as Snow White but you’re still telling the story of Snow White and the Seven Dwarfs.’
‘Take a step back and look at what you’re doing there. It makes no sense to me,’ he added on the WTF with Marc Maron podcast in January 2022.
Dinklage argued Disney was ‘progressive in one way’ and yet still making a ‘backwards story about seven dwarfs living in a cave together.’
Disney eventually clarified that the film was ‘taking a different approach with these seven characters’ and had been ‘consulting with members of the dwarfism community’ in order to ‘avoid reinforcing stereotypes from the original animated film.’
As well as dropping half the film’s original title, director Marc Webb opted to portray the characters using CGI– the depiction of whom was pulled apart when the Seven Dwarfs were first unveiled in the movie’s teaser trailer in August – after reports that Disney would be using diverse ‘magical creatures’ instead.
But even as this controversy unfolded, Zeglre faced more backlash after a series of flippant remarks she made at D23 in 2022, which made it clear she wasn’t a fan of the original story.
The 23-year-old (then 21) criticised the original film – released nearly 88 years ago, and based on the 1812 German fairy tale by the Brothers Grimm – as ‘dated’.
Zegler characterised the prince in Snow White as a ‘guy who literally stalks her’ in an interview with ExtraTV, calling it ‘weird’ repeatedly, while she also revealed in a separate interview with Variety that Snow White was ‘not going to be dreaming about true love’ anymore and rather ‘about becoming the leader she knows she can be and the leader that her late father told her that she could be if she was fearless, fair, brave, and true.’
The son of one of the 1937 film’s animators and supervising director, David Hand, also reacted poorly to Zegler’s remarks, seemingly horrified to hear of what may be sweeping changes to the original plot, saying Disney and his father would be ‘turning in their graves.’
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The White Lotus’ Sam Nivola comes from Hollywood and British comedy royalty (Picture: Jeff Kravitz/FilmMagic for HBO) The White Lotus has proven itself to be a great platform for young actors – and one of its budding stars has a very famous British parent. A […]
TVThe White Lotus has proven itself to be a great platform for young actors – and one of its budding stars has a very famous British parent.
A satirical black comedy, The White Lotus follows the exploits of rich guests who turn up at the titular luxury hotel resort, pulling back the curtain on their seedy private lives.
An anthological series, each season introduces an entirely new cast of super rich and super scandalous characters who come to stay at the White Lotus.
Which means it’s proven to be a great platform for young actors trying to make their break in a major American TV production – one of them being Stockport actress Aimee Lou Wood.
Another young face making himself known to audiences at this early stage in his career is Sam Nivola, who plays Lochlan Ratliff on the show.
Lochlan is one of the show’s main characters for season three, alongside esteemed actors such as Jason Isaacs, Carrie Coon, Walton Goggins, and Leslie Bibb.
But as well as rubbing shoulders with the famous cast, Sam also has a famous parent – he was also born in a London hospital and was raised in Notting Hill, despite his American nationality.
Sam’s famous mum is actress and filmmaker Emily Mortimer – Emily shares her son with husband Alessandro Nivola, and gave birth to Sam in 2003, when she was 32 years old.
Emily is a star of both the big and small screens, with her career having lasted more than 30 years since her 1994 debut on comedy drama Under the Hammer.
Her biggest TV roles include her work on political drama The Newsroom, British comedy Doll & Em, and the romantic drama The Pursuit of Love, which she also wrote and directed.
It was on the big screen where Emily really made her name, however, with roles in Notting Hill, the Scream saga, Shutter Island, Hugo, Mary Poppins Returns, the Cars trilogy, and most recently Paddington In Peru.
Emily and Alessandro were married in January 2003, having met each other on the set of 2000 film Love’s Labour’s Lost – Emily gave birth to Sam nine months later.
Sam spent his childhood in Notting Hill before the family moved to Brooklyn in New York City, studying at Saint Ann’s private school and then Columbia University.
He got his first acting role in Doll & Em and later starred in his mother’s production The Pursuit of Love before landing the role of Lochlan on The White Lotus.
His sister May – Emily and Alessandro’s second child – starred alongside Sam in the Noah Baumbach film White Noise in 2022 after she herself had also starred in The Pursuit of Love.
Speaking about being an entire family of actors and performers, Emily told The Times: ‘I guess we’re a … I don’t want to use the phrase ‘circus family’. That sounds a little bit depressing or pretentious. But we don’t know any different and we don’t know any better.’
‘As a family we’re all in it together. It just so happens that we’re all interested in a lot of the same things, have a lot in common, really like each other, and have a nice time together.’
Watch The White Lotus on Sky Atlantic and Sky Go.
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Holly Willoughby’s husband Dan Badlwin is reportedly involved in a complicated rights row (Picture: David M. Benett/Dave Benett/Getty Images) Holly Willoughby’s TV producer husband Dan Baldwin is reportedly embroiled in a dispute with Butlin’s over BBC show Gladiators. It has been claimed that Dan’s production […]
TVHolly Willoughby’s TV producer husband Dan Baldwin is reportedly embroiled in a dispute with Butlin’s over BBC show Gladiators.
It has been claimed that Dan’s production company Hungry Bear Media is in ‘a row’ with the holiday camp company after agreeing a licensing deal.
Under the agreement, Butlin’s is reportedly allowed to use Gladiators’ logo and branding for its Meet The Stars of Gladiators experience.
However, Hungry Bear Media only owns the TV rights, while entertainment giant MGM handles the logo and branding rights.
The Amazon-owned production and distribution firm is now reportedly banning the use of the Gladiators logo and costumes at Butlin’s.
Instead, Meet The Stars of Gladiators performers have been competing in black tracksuits at the Bognor Regis, Minehead and Skegness resorts.
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A source told The Sun: ‘It seems Dan’s Hungry Bear Media and Butlin’s have got into a row over this.
‘It’s resulted in the Gladiators coming out in an all-black outfit on a stage with no TV logos behind it.’
A spokesperson for Butlin’s told Metro: ‘We can confirm our ‘Meet the Stars of Gladiators’ experience is still very much taking place this year at Butlin’s.
Due to external commitments, they will no longer be appearing on a small number of dates and all impacted guests have been notified.
‘We’ve added in our exclusive Masked Singer Live show in its place. We are very sorry for any disappointment caused.’
MGM and Hungry Bear Media declined to comment when approached by The Sun.
Metro has also reached out to MGM, Hungry Bear and Butlin’s for comment.
Last month, it was reported that Dan and Holly’s media production and management firm Roxy Media was at risk of closure over an unpaid tax bill.
The company’s most recent accounts show it owed £329,715 in corporation tax for the year up to August 2023.
A hearing related to Roxy Media, which was founded in 2020, is scheduled to take place on April 16.
An HMRC spokeswoman said at the time: ‘We take a supportive approach to dealing with customers who have tax debts and only file winding-up petitions once we’ve exhausted all other options, in order to protect taxpayers’ money.’
Dan is considered one of the most influential and powerful executives in the British TV industry.
His career started at the BBC as a researcher on Live and Kicking before going on to produce shows like Celebrity Juice and Virtually Famous.
In 2014, Dan co-founded Hungry Bear with Juliet Denison Gay.
Holly and Dan met on the kids’ TV show Ministry Of Mayhem in 2004, which Holly co-hosted with Stephen Mulhern
They married in 2007 and share three children: Harry, 15, Belle,13, and Chester, ten.
Gladiators is available to stream on BBC iPlayer.
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Battlefield 6 does look good… at this point (EA) A reader struggles to be optimistic about Battlefield 6 and thinks EA has still not given up trying to turn the series into Call Of Duty. I’ve been looking at all the leaked gameplay videos for […]
GamingA reader struggles to be optimistic about Battlefield 6 and thinks EA has still not given up trying to turn the series into Call Of Duty.
I’ve been looking at all the leaked gameplay videos for Battlefield 6 this week with a mix of emotions. On the one hand they do look good but on the other hand I’ve been here before. Being a Battlefield fan must be like being a Sonic the Hedgehog fan, where you get excited about a new game when it’s first shown, you get worried when you learn more, and then you’re completely disappointed when it finally comes out. Before not learning your lesson and getting hyped for the next game anyway. The Sonic Cycle and the Battlefield Cycle are basically the same.
Believe it or not, there was a time when Battlefield 2042 looked really good and I thought it’d turn out well. Then the game came out and it was just a janky mess of random ideas shoved together with no care or thought. I think that was EA trying to get the game back to its mod roots, but it was so half-assed even they admitted it had been a failure within just weeks.
Younger gamers probably don’t think of Battlefield as being much of a fan game, or something that uses mods, but that’s absolutely how it started. I still remember playing Desert Combat on my old PC, which was my whole introduction to fan mods, online gaming, and how different PC gaming can be to anything on consoles.
Battlefield creator DICE were all about the community and using fan creations in the early days. Nowadays publishers use the word community when all they mean is people subscribed to their Twitter channel or something else easily controllable. But back in the day, when it was just Battlefield 1942, fans were stretching and twisting the game into whatever they wanted and DICE were right there egging them on.
Then EA bought DICE and things have slowly been getting worse ever since. It wasn’t obvious at first because Battlefield 2 and 3 were good, Bad Company too. There was less mods and it all felt more corporate but they still felt close enough to the original idea of what Battlefield 1942 was: a customisable war simulator that could do just about anything.
It was Battlefield 3 that started to change things though and with 4 it became a lot more obvious what EA were doing: they were trying to change it into Call Of Duty. They realised they were two different games, and they knew the size and scale of Battlefield was a selling point, but they still wanted to bring Battlefield closer in style to Activision’s games because, well… Activision’s games made more money.
Of course, it didn’t work. Trying to turn Battlefield into Call Of Duty is trying to pretend a steak and a hamburger are the same thing. They’re similar, of course, and both are good in their own right, but you can’t turn one into the other no matter how hard you try.
EA didn’t give up though. Like any publisher when they get an idea in their head (just think live service games) they just keep doing it again and again until either the fashion trend they’re trying to follow stops or they go under. Call Of Duty is still super successful, so I have no doubt that EA’s ultimate goal is still to replace it and part of the plan for doing that is by making Battlefield more like it.
That might not seem the angle at the moment but, like I said, I’ve seen all this before. The original formula for Battlefield will never be as successful as Call Of Duty because it’s too complicated and doesn’t work as well on consoles, so EA has to make it more like Call Of Duty to have a chance to succeed.
I believe we’ll see that as more of the game is revealed and when it comes out we understand exactly what it is. I mean, they’ve got a whole separate developer working on the story campaign and what Battlefield fan has ever asked for that?
EA just don’t get Battlefield. All they know is that it’s a military game that’s popular and that if they just change it enough it can be super popular and upend Call Of Duty. That hasn’t happened any time in the last two decades and I don’t think it ever will. Sadly, I think it will take EA completely ruining the Battlefield name before they give up.
By reader Lambda
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.
Hideo Kojima just can’t say no to more Metal Gear (Lorne Thomson/Redferns) A reader feels that Hideo Kojima is too obsessed with Metal Gear and that Physint and the cameos in Death Stranding 2 are a sign that he can’t move on from the series. […]
GamingA reader feels that Hideo Kojima is too obsessed with Metal Gear and that Physint and the cameos in Death Stranding 2 are a sign that he can’t move on from the series.
Hideo Kojima will be 62 this August and given how long modern games take to make I worry how many games he has left in him. I don’t mean to be morbid but looking at this list of games over the last 39 years it is disappointing how few different franchises he has worked on, despite having been in the business for nearly four decades.
The original Metal Gear was his second game and since that the only other things he’s worked on have been minor stuff like Snatcher, Policenauts, Zone Of The Enders, and Boktai. Everything else has been Metal Gear, right up until he left Konami and he made Death Stranding, which he followed up with… another Death Stranding.
And now we find out that Death Stranding 2 has a knock-off Solid Snake and Metal Gear REX in it. Plus, the other two games he’s making at the moment are a horror game called OD (no doubt inspired by his cancelled Silent Hills game) and Physint, which is… a homage to Metal Gear.
Kojima is his own man, with his own game studio, so he’s free to make whatever he wants, but I know I’m not the only one that views his gameography as a bit of a missed opportunity. There’s no doubting his unique talent and yet imagine if Steven Spielberg made nothing but Jaws sequels for almost his entire career. Even if they were all great, wouldn’t that be a bit of a waste?
Long before now, people have been saying that Kojima needs a producer and/or someone telling him no and I’m sure in this instance that person would’ve said, ‘Quit it with the Metal Gear obsession. Your whole life has been Metal Gear and saying you’re finished with the series and then coming back to it anyway.’
It’s a similar situation with developers like Naughty Dog, who are stuck doing the same thing because it’s popular. They don’t seem to want to make another The Last Of Us at all, but who really thinks they won’t anyway? Just because Sony will see it as something that has to happen, given its prestige and popularity.
But Kojima isn’t in that position and yet he keeps coming back to Metal Gear anyway, even though it’s nowhere near as big a seller as some of today’s games. I’m not even sure if younger gamers even know what it is, given the last one was 10 years ago now.
I feel a bit bad about complaining about this, because if he’s making the games he wants then it’s no business of mine. But as with everything it feels like if he had someone advising him, they probably would’ve encouraged him to try new things.
I love the Metal Gear Solid mainline games but there’s no pretending that he probably could’ve explored the same gameplay and story themes with different characters, that would’ve felt more fresh.
I can see why he didn’t, back in the Konami days, but to now make a spiritual sequel and add it into the sequel to Death Stranding (which didn’t need a sequel anyway), it just seems a bit of a waste.
I’m sure the Death Stranding 2 stuff will be some sort of meta commentary on his career and I’m sure it’ll either comes across as really profound or really silly. There’s never any middle ground with Kojima and that’s what I like about him. He’s someone that isn’t afraid to shoot for the stars and even if he doesn’t hit it’s always interesting. I’m just not sure it always has to be Metal Gear as well.
By reader Benson
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.
Get ready to feel nostalgic (Picture: Getty/Shutterstock/Metro.co.uk) It’s true that everything that was once fashionable comes back around again – and the same can be said about your favourite films. Some of the biggest movies of the 90s and 00s are coming back to the […]
FilmIt’s true that everything that was once fashionable comes back around again – and the same can be said about your favourite films.
Some of the biggest movies of the 90s and 00s are coming back to the big screen, but not exactly as you remember them.
After rumours of a reboot since its initial release, District 9 director Neill Blomkamp is set to direct a remake of classic 1997 film Starship Troopers.
Based on the 1959 novel by Robert A. Heinlein, Starship Troopers is set in a distant future where Earth is at war with a race of giant alien insects, with the Mobile Infantry fighting for the survival of the human race.
The film centres on Johnny Rico (Casper Van Dien) who has recently joined the Mobile Infantry, doing his part and serving his planet in the intergalactic war.
The beloved sci-fi film isn’t the only blast from the past being updated for the 2020s as it was announced that Buffy the Vampire Slayer is returning in the not-too-distant future.
Various legacy sequels and franchise reboots are also in the works, reviving classics such as Final Destination 6 and Happy Gilmore 2 as well as Stephen King’s It being turned into a prequel TV series.
Here, we’ve rounded up all the nostalgic 90s and 00s remakes heading your way – from disturbing horror films to blockbuster thrillers.
Cape Fear is set to hit the big screen for a third time, this time as an Apple TV Plus series.
The 1957 novel The Executioners was turned into the movie Cape Fear in 1962, which was then remade in 1991.
That film starred Robert De Niro, Nick Nolte, Jessica Lange, Joe Don Baker, and Juliette Lewis.
It followed the story of convicted violent rapist Max Cady (Robert) who used his newfound knowledge of the law and its numerous loopholes to seek vengeance against a former public defender whom he blames for his 14-year imprisonment.
A release date has not yet been announced, but we do know that Javier Bardem will be taking on the role of Max.
The synopsis for the 10-episode series teases: ‘A storm is coming for happily married attorneys Amanda and Steve Bowden when Max Cady, a notorious killer from their past, gets out of prison.’
It will be executive produced by Steven Spielberg and Martin Scorsese too.
Last year it was announced disturbing 90s thriller The Hand That Rocks The Cradle is being remade.
The film first hit the big screen in 1992, introducing us to Peyton (Rebecca De Mornay) whose doctor husband took his own life after getting caught sexually assaulting pregnant patient Claire (Annabella Sciorra).
She tragically lost her own baby and vowed to get revenge by becoming their nanny, attempting to usurp Claire’s place in the family.
Ghostbusters’ Ernie Hudson, Julianne Moore, Matt McCoy and Madeline Zima were also in the cast.
Deadline reported Longlegs and Watcher actor Maika Monroe will take on the role of the creep childminder, while Mary Elizabeth Winstead will star as the family matriarch.
Michelle Garza Cervera is slated to direct.
Lily James and Pierce Brosnan are set to start in an adaptation of 1993 action flick Cliffhanger.
The original film was directed by Renny Harlin and starred Sylvester Stallone as mountain climber Gabe who becomes embroiled in a heist of a US Treasury plane flying through the Rocky Mountains.
Variety reported in October last year that filming was underway in Austria, with Pam and Tommy actor James in the lead role.
The film will be directed by Jaume Collet-Serra, who previously helmed Carry-On and Non-Stop.
Jungle adventure movie Anaconda is returning to cinemas with an all star cast.
The 1997 original – starring Jon Voight, Jennifer Lopez, Ice Cube, Owen Wilson, Eric Stoltz, and Danny Trejo – follows a documentary crew and snake hunter Paul Sarone (Voight) deep in the Amazon Rainforest as they come into contact with a deadly 25ft anaconda.
A remake of the film was announced in 2020 with Jack Black and Paul Rudd among the cast.
Earlier this year, Black announced the remaining cast members through a song recorded onset.
The School Of Rock icon and Clueless star Rudd will be joined by Thandiwe Newton, Steve Zahn, Selton Mello, and Daniela Melchior in the remake.
It was previously announced that we’d be getting a follow-up to this iconic 90s slasher flick, nearly 30 years after it was first released.
Following a sequel, with an even longer title, it was confirmed that Freddie Prinze Jr would be reprising his role as Ray Bronson for a new sequel.
Jennifer Love Hewitt, who played Julie James in both films, will also appear in the new film set for release on July 18.
The 1997 film, starring Jennifer, Freddie, Sarah Michelle Gellar, and Ryan Phillippe, focused on a group of teenagers seemingly killing a man and covering up the murder in sheer panic.
On the year anniversary of the attack, they found themselves stalked by a chilling hook-wielding serial killer.
It will be directed by Jennifer Kaytin Robinson, who previously helmed Do Revenge.
A remake of vampire action film Blade is on the way – or maybe it isn’t.
The original 1998 film starred Wesley Snipes as the titular vampire hunter who sets out to rid the world of the undead and avenge his mother’s death.
It seems the film is stuck in development hell as it searches for a new director after Bassam Tariq and Yann Demange left the project alongside several writers
Mahershala Ali is still in the role of Blade thus far, but the film has reportedly been removed from Disney’s 2025 release slate.
The Faculty is the latest film to be given the remake treatment, with Companion director Drew Hancock helming.
The original, released in 1999 and directed by Robert Rodriguez, followed a group of students at a high school forced to work together when an alien species takes over the bodies of their teachers and fellow classmates.
It starred the likes of Josh Hartnett, Elijah Wood, Clea DuVall, Jordana Brewster, Laura Harris, and Usher.
Rodriguez is attached to produce the remake, according to Variety, alongside Barbarian production company BoulderLight.
This year kicked off with news that 1999 Japanese horror film Audition is being remade.
Based on the book of the same name by Ryu Murakami, Takashi Miike’s Audition tells the story of middle aged widower Shigeharu Aoyama (Ryo Ishibashi) who enlists the help of his film producer friend Yasuhisa Yoshikawa (Jun Kunimura) to hold auditions for a new wife under the illusion they are auditioning for a film role.
He meets and falls in love with Asami Yamasaki (Eihi Shiina), unaware of her dark and dangerous past that threatens him and his son Shigehiko (Tetsu Sawaki).
Deadline reported in January that the Audition remake is being directed by Christian Tafdrup, who created the original Speak No Evil.
He is co-writing the film alongsider his brother Mads Tafdrup.
Amazon Prime Video is currently airing new episodes of a Cruel Intentions TV adaptation.
Released in 1999, the teen romantic drama Cruel Intentions was a modern retelling of Pierre Choderlos de Laclos’ 1782 novel Les Liaisons Dangereuses starring Sarah Michelle Gellar, Ryan Phillipe, Reese Witherspoon, and Selma Blair.
Set in New York City it followed privileged high school students fighting for control of their campus after a brutal hazing incident who stopped at nothing to secure it, including a twisted bet to seduce the daughter of their new headmaster.
The Amazon Prime series centers around elite Manchester College, with Caroline (Sarah Catherine Hook) and Lucien (Zac Burgess) battling for control of the campus.
Following a fatal hazing injury, Caroline uses her stepbrother to seduce the Vice President’s daughter, Annie Grover (Savannah Lee Smith), to ensure that their time on campus is not affected.
After working on horror comedy Hell Of A Summer, Finn Wolfhard and Billy Bryk have teamed up for a remake of 1999 hit Idle Hands.
Orignally starring Devon Sawa, Jessica Alba, Seth Green, and Elden Henson, the film tells the story of slacker teen Anton Tobias (Sawa) when his right hands becomes possessed be a demonic entity.
Jason Reitman will produce the remake after working with Wolfhard and Bryk on two Ghostbusters films and Saturday Night, according to Deadline.
Speaking in a statement, Reitman said: ‘Finn and Billy crushed their directorial debut and have a completely original take on Idle Hands that captures a disaffected generation.
‘We are excited to support them as they bring their unique take to the screen and summon the demons.’
Idle Hands isn’t the only horror comedy being reimagined decades later – the Wayans brothers have also reunited for a reboot of Scary Movie.
The hit series, mainly spoofing horror movies, first hit the big screen in 2000 and became an instant hit after parodying teen slashers including Scream and I Know What You Did Last Summer.
Keenen Ivory Wayans directed the original, as well as 2001’s Scary Movie 2, while Shawn Wayans and Marlon Wayans wrote and starred in the first two movies.
Marlon confirmed their involvement in the sixth instalment earlier today, sharing a picture of him posing in front of a parody of Ghostface.
He wrote: ‘WE’RE BACK!!! After nearly 20 years, the Wayans brothers are finally going to give the fans what they’ve been asking for… a return to the SCARY MOVIE franchise!
‘We’re looking forward to having fun on the big screen again.’
It is set to be released on June 12, 2026, marking 13 years since the last film in the franchise was in cinemas.
Anna Farris and Regina Hall have not yet announced whether they will reprise their roles as Cindy Campbell and Brenda Meeks respectively.
News that American Psycho is set to be remade was announced last year with fans almost immediately sharing who should be cast as Patrick Bateman.
The original film was released in 2000 but set in the 1980s with Christian Bale playing Patrick Bateman, a Wall Street yuppie and serial killer.
The remake is set to be directed by Luca Guadagnino, best known for his work on Call Me By Your Name, Queer, and Challengers.
Elvis star Austin Butler is set to star as Bateman, it had since been announced.
The announcement from Variety read: ‘Austin Butler is set to star in Luca Guadagnino‘s new interpretation of the book “American Psycho” by Bret Easton Ellis for Lionsgate.’
Last month, however, novel author Bret Easton Elis expressed his doubts the film will be remade.
Speaking on his self-titled podcast, he said: ‘I have a feeling it’s fake news.
‘I heard somewhere, from someone, that there are no contracts. Austin Butler hasn’t signed anything to play Patrick Bateman. Luca doesn’t have a deal.
‘Scott Burns, who is supposed to write the screenplay, doesn’t have a deal either. From various sources that I have, this is just fake news that was put out there to see how an audience is going to react.’
Classic 00s teen drama Holes is set to be remade by Disney Plus as a gender-swapped TV series.
The 2003 film stars Shia LeBeouf as Stanley Yelnats, a young boy sent to a juvenile detention camp where he and the other inmates are tasked with digging holes day in, day out.
Variety announced last month that Alina Mankin of The Mindy Project is set to write the script and serve as executive producer.
The film’s original producer Mike Medavoy is also attached to the project.
Casting details have not yet been announced, however, we do know this time around it will focus on a group of young girls.
The series’ official logline reads: ‘In this reimagining of the beloved 1998 book from Louis Sachar, a teenage girl is sent to a detention camp where the ruthless Warden forces the campers to dig holes for a mysterious purpose.’
A version of this article was published on February 7
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Disney’s Snow White remake has hard a long and painful journey to release (Picture: Disney) First reactions have landed for Disney’s latest big-budget release Snow White, with the movie being branded one of the studio’s ‘strongest ever’ live-action remakes. Critics have largely praised leading lady […]
FilmFirst reactions have landed for Disney’s latest big-budget release Snow White, with the movie being branded one of the studio’s ‘strongest ever’ live-action remakes.
Critics have largely praised leading lady Rachel Zegler as ‘enchanting’, called the film a ‘visual feast’ and so far complimented the screenplay after reports of the traditional fairy tale’s storyline being updated.
But it’s been hard to shake the feeling that Snow White has seemed like a poisoned apple ahead of its fast-approaching release, given the fierce and consistent ‘woke’ backlash its faced.
The film will finally open in cinemas on March 21, after being pushed a full year from its original 2024 slot thanks to the extensive effects of the 2023 SAG-AFTRA strike.
Disney has raised eyebrows in recent days with its decision not to roll out the red carpet for the movie at a glitzy premiere in London, as would usually be expected, instead opting for a smaller, far less media-focused event in Segovia, Spain on Wednesday night.
The evening’s celebrations had plenty of younger fans in attendance and were held at Alcázar de Segovia in a nod to the 1937 animated original, as it served as the inspiration for the castle featured in Snow White.
And it was largely the same at Saturday’s world premiere in Los Angeles, which also had no regular red carpet media line, in order to prevent its stars Rachel Zegler and Gal Gadot from needing to answer any questions on the fly.
While calling the premiere ‘scaled back’ back not be entirely accurate, The Hollywood Reporter claims that Disney said it chose ‘a more celebratory, family-friendly afternoon event to match the tone and target audience for the film’ – which is, lest we forget, mainly aimed at those young enough to be more interested in the magic than the media frenzy surrounding Snow White.
But this is far from being the first or last headache that this mega-budget Disney ‘reimagining’ has faced on its long and very rocky road to release.
Ever since 2021 it seems that the studio has been forced to confront near-constant criticism and backlash that largely revolves around the culture war of today, which sees a sharp divide over the term ‘woke’ – and whether or not it’s positive to be classified as such.
The sniping about Snow White first began nearly four years ago when West Side Story actress Rachel Zegler, who is of Colombian descent, was cast as Disney’s original princess, most famous for having ‘skin as white as snow’.
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Such ugly complaints echoed those that Halle Bailey faced after being picked to play Ariel in The Little Mermaid, with some fans being left outraged at Disney’s push for more culturally representative storytelling (perish the thought that talent should be an important factor in the decision).
Disney then hit a more tricky obstacle to navigate when Game Of Thrones star Peter Dinklage branded the studio ‘backwards’ for their decision to remake Snow White.
The actor, who has a common form of dwarfism known as achondroplasia,said he was ‘a little taken aback when they were very proud to cast a Latina actress as Snow White but you’re still telling the story of Snow White and the Seven Dwarfs’.
‘Take a step back and look at what you’re doing there. It makes no sense to me,’ he added on the WTF with Marc Maron podcast in January 2022.
Dinklage argued Disney was ‘progressive in one way’ and yet still making a ‘backwards story about seven dwarfs living in a cave together’.
Disney rushed to clarify that the film was ‘taking a different approach with these seven characters’ and had been ‘consulting with members of the dwarfism community’ in order to ‘avoid reinforcing stereotypes from the original animated film’.
Dinklage undoubtedly had a point given how offensive the film could seem to those in the community, depending on how sensitively Disney opted to handle the dwarfs.
As well as dropping half the film’s original title, director Marc Webb opted to portray the characters using CGI – the depiction of whom was pulled apart when the Seven Dwarfs were first unveiled in the movie’s teaser trailer in August – after erroneous reports that Disney would be using diverse ‘magical creatures’ instead.
Fans acted fast with the one show of disapproval they had, the dislike button, as the trailer attracted more than 1.4million ‘thumbs down’ from its 11million views – and a paltry 102,000 likes in comparison.
This issue was later raised again just ahead of the LA premiere, when dwarf actors expressed their fury over the use of CGI characters, calling Disney’s decision ‘discriminating in a sense’ and claiming it was detrimental to their careers.
‘I think Disney is trying too hard to be politically correct, but in doing so it’s damaging our careers and opportunities,’ bodybuilder and performer Choon Tan, 31, told MailOnline.
‘There really is nothing wrong casting someone with dwarfism as a dwarf in any given opportunity. As long as we are treated equally and with respect, we’re usually more than happy to take on any acting roles that are suitable for us.’
So far, so understandable (with the contentious issue of the dwarfs, at least) – but meanwhile the backlash had been intensifying against leading lady Zegler after a series of flippant remarks she made at D23 in 2022, which made it clear she wasn’t a fan of the original story.
The 23-year-old (then 21) drew the ire of some fans by criticising the original film – released nearly 88 years ago, and based on the 1812 German fairy tale by the Brothers Grimm – as ‘dated’.
Zegler characterised the prince in Snow White as a ‘guy who literally stalks her’ in an interview with ExtraTV, calling it ‘weird’ repeatedly, while she also revealed in a separate interview with Variety that Snow White was ‘not going to be dreaming about true love’ anymore and rather ‘about becoming the leader she knows she can be and the leader that her late father told her that she could be if she was fearless, fair, brave, and true’.
It’s true her casual tone was perhaps a misstep, especially when Disney is usually so careful about the reverence with which it treats its animated classics – plus, its fan base is famously highly invested and protective.
The 93-year-old son of one of the 1937 film’s animators and supervising director, David Hand, also reacted sensitively to these remarks, seemingly horrified to hear of what may be sweeping changes to the original plot, telling The Telegraph Disney and his father would be ‘turning in their graves’.
And here’s where we seem to leap into the deep end of the truly baffling, for Zegler’s comments started circulating on social media, with ‘fans’ using them as justification to tear the actress down for her perceived ‘attitude’, alongside Disney, over the storyline changes.
These are storyline changes which we are still, years later, yet to be able to confirm and judge for ourselves by actually watching the movie because it’s not out yet.
But the term ‘woke’ was now firmly being co-opted by the dissatisfied, who directed a lot of their annoyance straight at Zegler, calling for her ‘destruction’ online and slamming her as ‘disgusting and unbecoming’.
Meanwhile she’d also revealed she’d been ‘scared’ by the 1937 animation and (possibly the most heinous crime of all) only watched it once, making her immediately unworthy of her casting in some Disney fans’ eyes.
She also ran into the ‘tradwife’ community online, who took it as a personal insult that Snow White would now be dreaming of something other than being a wife and mother – TikTokkers also told her that ‘criticising Disney princesses is not feminist’ and garnered millions of views and likes while doing so.
So because Zegler and Disney suggested that falling in love was no longer Snow White’s priority, it seemed like manyjumped to assume they were being judged harshly for their own personal choices.
It’s also rather ironic that until this point, Disney was usually being criticised for supposedly pushing old-fashioned ideals within its narratives – but as soon as they made a move against that, the backlash doubled.
Zegler addressed this pretty gracefully with a carefully worded response to the situation (after likely further media training from Disney) in an interview for Vogue Mexico’s March issue.
‘I interpret people’s sentiments towards this film as passion. What an honor to be a part of something that people feel so passionately about. We’re not always going to agree with everyone who surrounds us and all we can do is our best,’ she commented, as the film’s release loomed.
While you’d be forgiven for thinking that we were surely finished cataloguing Snow White’s extensive woes, the release strategy has also been further complicated by politics.
Pro-Palestinian activists have called for a boycott of the movie over Disney’s casting of Israeli actress Gal Gadot as the Evil Queen, while others have criticised her casting as the villain.
Wonder Woman star Gadot, who has publicly advocated for Israel over the years, was so far solo and low-key on the Snow White publicity trail other than a co-presenting gig at the Oscars with Zegler, until the LA premiere.
Meanwhile, Zegler made her thoughts clear while directly promoting the film as she thanked fans for their ‘love’ in response to the trailer in the summer, before adding on X: ‘And always remember, free Palestine.’
She had also previously been forced to apologise after declaring that she hoped Trump supporters would ‘never know peace’ following the US President’s election victory in November.
So there you have it – a potted history of all the reasons Snow White has become an unfortunate magnet for controversy as we’ve moved ever closer to its release.
In some ways the film has been a lightning rod for several major issues, and in another it just shows what happens when people get a bee in their bonnet over something and sound off inside the comforting echo chamber of their social media communities.
Critics commenting positively on the film on social media have already been branded ‘Disney shills’ by disgruntled people yet to see the movie and determined to hate it, with rumblings of a review-bombing campaign planned for when the film opens on Friday.
But the furore around Snow White’s release is almost history repeating itself, given Walt Disney famously mortgaged his house to bet on his studio’s first-ever feature length animation with Snow White while naysayers dubbed it ‘Disney’s Folly’ due to the scepticism surrounding it.
As we all now know, he was proven absolutely right, building the most successful animation company in history – and come next week, audiences will finally be able to properly judge the 2025 gamble for themselves.
Snow White releases in cinemas on Friday, March 21.
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