Jeremy Clarkson has said goodbye to his expensive tractor purchase (Picture: Prime Video) Jeremy Clarkson was candid about his decision to sell his whopping £85,000 tractor that featured in Clarkson’s Farm season four. The 65-year-old star has been sharing the highs and lows of tending […]
TVWynne Evans turned tearful as he spoke about the scandal (Picture: ITV) Former Strictly Come Dancing pro dancer James Jordan has publicly come out in support of Wynne Evans, after he spoke about the detrimental impact the BBC show scandal wrought on his mental health […]
TVEven Bowser’s partial to a new outfit (Nintendo) Nintendo’s flagship launch title for the Switch 2 has a lot of very specific requirements for unlocking all of its secrets, including Mirror mode. The Switch 2’s headline attraction at the moment is Mario Kart World and, […]
GamingFast Fusion – not F-Zero but it’ll have to do (Shin’en) Nintendo might not want to make a new F-Zero game but the creators of Fast RMX do, with a sequel that has some of the best graphics on Switch 2. Much has been said […]
GamingNintendo might not want to make a new F-Zero game but the creators of Fast RMX do, with a sequel that has some of the best graphics on Switch 2.
Much has been said about how Nintendo is in a slightly awkward position with the Switch 2, in that most of its major franchises were so expertly revamped and perfected on the Switch 1 that it’s hard to know where to go with them from here. Do they try to reimagine Zelda once again? Or make Smash Bros. even bigger in scale? Or do they continue with more iterative and less ambitious sequels? Or maybe they should focus on other forgotten franchises… like F-Zero.
Nintendo’s explanation for why there hasn’t been a new F-Zero in over two decades (except for online title F-Zero 99) is that there’s no point unless they can come up with something new for it, especially as it’s never been a big seller, that can get by on just its name.
As the inspiration for WipEout, F-Zero is the quintessential future racer and its greatest entry is GameCube title F-Zero GX, which technically is a Switch 2 launch title, as it’s now available as part of Nintendo Switch Online + Expansion Pack. But if you crave something new there is an alternative, in the form of loving tribute Fast Fusion.
German developer Shin’en has been making F-Zero clones since the Wii era, all with different names but always starting with word Fast. Fast RMX was a launch title for the original Switch and now we have Fast Fusion, which suffers from all the same pros and cons as the previous titles. As if to make Nintendo’s point, there’s precious little innovation here but what it does have is a blistering sense of speed and some of the best graphics on the Switch 2.
Unlike F-Zero and WipEout, there’s very little context given for Fast Fusion’s races. Not only is there no attempt at a story, or even any characters, but there’s no explanation for what’s going on or where you are. The implication is that you’re taking part in a futuristic racing championship but there’s zero worldbuilding, beyond some vaguely sci-fi sounding names in the leaderboard.
That doesn’t really matter though and once in a race you can instantly see where all the effort has gone, with some really quite stunning visuals for a launch game. Mario Kart World’s cartoon style has made it difficult to gauge exactly how powerful the Switch 2 is, but Fast Fusion frequently looks like a higher end PlayStation 4 game, and certainly much better than Fast RMX.
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If you don’t know what F-Zero, or WipEout, is then it doesn’t matter, because it’s not a complex concept: imagine Formula One but in the future, with anti-gravity cars and roller coaster style tracks, and that’s pretty much it. WipEout had weapons and power-ups, but F-Zero and Fast Fusion do not.
Instead, Fast Fusion has a boost that is, slightly counter-intuitively, activated by collecting enough coins to fill up a bar. But you can also get a boost from driving over differently coloured chevrons, while manually switching colours between red and blue, so as to match the colour on the ground – or otherwise you slow down instead of speeding up.
There’s also a very powerful jump and the ability to lean left and right, but those are more advanced techniques that are not necessary at first. You can knock into enemies, to send them spinning, but there isn’t really an attack ability, which is something of a shame because if you or an opponent hit an obstacle you explode in a rather nice crash.
Although the game has the worst rubber band AI we think we’ve ever experienced, and the vehicles feel a bit lightweight in terms of handling, races are a lot of fun. The track design can seem a little pedestrian (we’ve been spoilt by the overabundance of shortcuts in Mario Kart World) but the sheer spectacle of it all keeps your interest.
If you’re wondering about the name, there is a fusion process, similar to the Shin Megami Tensei series, where you can put two vehicles together, to fuse them together and get a blend of both their stats and their physical appearance. That’s kind of neat but there’s only three stats and there’s not a lot of thought needed for which ones to splice together.
This costs money to do, naturally, but while the standard game mode is similar to the Grand Prix system from Mario Kart you have to pay to unlock subsequent cups, which we wish we’d known the first time, before we spent all our money on new cars and fusions. Although it’s a regular irritation when you have to repeat a whole cup, or waste time in Time Attack, just to earn a few more credits to play a new one.
There’s also Super Hero mode, where if you crash that’s it (it’s basically iron man mode, in other words). That’s as frustrating as it sounds and so too, unfortunately, is the online multiplayer. There’s up to four-player split screen, which is great, but there’s no matchmaking for online so you either race with a friend via GameChat or… you don’t race online at all.
Again, it all comes back to the visuals, with 12 highly varied tracks that range from a redwood forest to deserts with sand whales jump out around you, to a race in an asteroid belt and around a futuristic city. There are four separate graphics options in TV mode, two of which are 4K, although this results in a slight blurriness that we assume is a result of upscaling rather than being a native resolution – so we stuck with the performance option, although only the Ultra Quality option is not 60fps.
Fast Fusion is rough around the edges in almost every respect and, apart from its graphics, shows little real improvement over its eight-year-old predecessor. Its low price excuses a lot of its problems but at the same time it fails to address Nintendo’s problem, of how to introduce new concepts to the formula. And yet between this and the GameCube games on Switch 2, this is a good as F-Zero fans have eaten in a long time.
In Short: The best F-Zero clone since Fast RMX, with some extremely impressive visuals for a Switch 2 launch game, although the structure and track design lack Nintendo’s finesse.
Pros: Fantastic graphics, with a ton of options in both TV and portable mode. Solid racing action and dizzying sense of speed, especially in the higher championship levels. Four-player split screen and surprisingly cheap.
Cons: The track design lacks flair and the championship structure is very irritating. Outrageously cheating rubber band AI. Vehicle fusion adds very little and online multiplayer is extremely limited.
Score: 7/10
Formats: Nintendo Switch 2
Price: £13.49
Publisher: Shin’en
Developer: Shin’en
Release Date: 5th June 2025
Age Rating: 3
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An advert for the chocolate bar Twix has been banned for ‘encouraging dangerous driving’.
The short ad features a man who is involved in a high-speed car chase who crashes.
However, as he makes an impact with the other driver, his caramel-coloured car is sandwiched on top of another, like a Twix.
Following five complaints the advert was deemed ‘irresponsible’ and was pulled from the air.
Mars-Wrigley own Twix, along with other confectionary brands such as Snickers, M&M’s and Milky Way.
The company has claimed that the ad had a ‘cinematic presentation’ and was set in a ‘world that was absurd, fantastical and removed from reality’.
This was a view that was echoed by Clearcast, who is the non-governmental organisation that approves adverts.
However, the Advertising Standards Authority (ASA) ruled that in its current form it ‘condoned unsafe driving’.
ASA claimed that the first half of the video ‘appeared likely to breach the legal requirements of the Highway Code’ despite it featuring fantastical elements.
An ’emphasis on speed’ as well as ‘visible skid marks’ also helped contribute to the decision to ban it.
Mars defended the advert, saying the cars were ‘shot driving at lawful speeds and any emulation would only reflect the legal and safe driving presented’, the BBC report.
After the cars crash together, a Twix bar falls through the sunroofs of the two cars before they drive off together, still attached.
Accompanying this is a tagline which reads ‘two is more than one’.
In the ASA official ruling, it tells Mars ‘not tocondone or encourage irresponsible driving that was likely to breach the legal requirements of the Highway Code in their ads.
This comes after a Next advert was banned earlier this year because of a single complaint over how the model looked – deeming it ‘irresponsible’.
The online ad for the clothing giant featured a model who was described as ‘unhealthily thin’ and also admitted digitally altering the image.
The camera angle and styling highlighted the slimness of her leg, the ASA said.
The model was sitting on a wooden block and her legs were extended towards the camera.
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The winners of BBC One’s Race Across the World 2025 have been revealed, and fans are already labelling this the best season yet.
After travelling thousands of kilometres across China, Nepal and India, one pair claimed the £20,000 prize after reaching the final checkpoint in Kanniyakumari.
The final leg was the closest the teams had been in 51 days, with just 19 minutes separating first and second place.
However, for the first time in the show’s history, a mother and son pairing have won after Caroline and Tom were declared winners following the 14,100km race across the world’s largest continent, Asia.
After the episode, fans on X were quick to brand the latest season the best yet.
@Caz2025xx wrote, ‘ Brilliant series. The best by far. They were all worthy winners’ a sentiment echoed by @louiseolou who added, ‘Best series so far! For once, I loved all 4 couples! It was joyous!’
@FishEggs1964 posted, ‘The best yet…well done all participants! Fair play to BBC…it gets enough stick but all credit deserved here. #RaceAcrossTheWorld Roll on the next series.’
Sisters Elizabeth and Letitia, who have remained consistent throughout the race, came in second place.
They were followed by teenage couple Fin and Sioned, while brothers Brian and Melvyn came in fourth.
It was a race to find a boat towards the fishing village of Arockiapuram and there, find the Vattakottai Fort where the last and final sign-in book was waiting. As Caroline and Tom turned to the page to discover they had reached the final checkpoint in first place, they hugged, overcome with emotion.
An emotional Caroline cried: ‘We must never doubt ourselves again. Ever, ever, ever.’
Writing their names in the book, Tom said: ‘That’s a really good feeling, I’m lost for words, I can’t believe it. 51 days racing through countries I never thought I’d go to, I never thought we’d come this far, I never thought we’d achieve so much and I’ve never been prouder of my mum – she got me through it.’
As sisters Elizabeth and Letitia turned the page to claim second place, Elizabeth said: ‘Ah, Tom and Caroline, so close, 19 minutes,’ with Letitia adding: ‘I’m proud of us.’
Just 45 minutes behind the winners, Fin and Sioned arrived in third place. Fin said: ‘We’ve done well.’
He added: ‘It would have been incredible to have come first, but obviously we can’t all come first.. we’ve gone more than 12000km…’
Sioned continued: ‘It’s been more than just the distance, it’s been a journey for us.’
Brian and Melvyn, who arrived in fourth place, only 3 hours and 5 minutes behind the race winners, said: ‘We’ve done very well actually. Really pleased for the guys that have won it. Beer? Desperately, and definitely!’
Following the episode, fans took to social media to congratulate the winners and commiserate with the losers.
@Welly_springer wrote on X: ‘Congratulations to Caroline & Tom. Worthy winners. Enjoyed every minute’ while @PremierLeedsMOT added, ‘yet again my favourite team won! Great result and another great season’.
@jamessmccarthy meanwhile wrote: ‘Really pleased that Caroline and Tom won #RaceAcrossTheWorld. Lovely people this series’.
Other fans felt slightly dejected that their preferred team didn’t win, with @Katieharris99 joking on x that she’s ‘fuming it wasn’t Brian and Melvin’ while @ellasrhapsody labelled Fin and Sioned ‘the people’s princesses’.
Sadly, not everyone was pleased with Caroline and Tom’s victory. Several X users described the final as ‘the ending the majority didn’t want’ and criticised the pair for their perceived ‘poshness’.
Despite the backlash, though, the pair have their defenders, including @beginningwithm, who took to X to express their frustration with those criticising Tom and Caroline.
‘To the people being horrible about Tom and Caroline. Grow up,’ they wrote. ‘They’ve come across as really nice people all the way through this. Try not to hate so much.’
These feelings were echoed by @IAmDrBaldHead, who explained they were ‘slightly gobsmacked’ by how cruel viewers were being about the pair before congratulating Tom and Caroline for being ‘decent, genuine people’.
The final episode saw Caroline and Tom begin the last leg in the lead, 6 hours and 54 minutes ahead of Elizabeth and Letitia.
They started from the 7th checkpoint, Panaji in Goa with just over 1000km to traverse across the southern Indian states to reach the finish line at the southernmost tip of India in Kanniyakumari.
Arriving into Kanniyakumari by taxi, Tom said how nervous he was, and worried more when he exclaimed: ‘I’ve just seen Fin and Sioned, I promise you, I have, oh no.’
Getting caught in a traffic jam, Caroline and Tom were visibly despondent.
Receiving their first instructions to reach the tip of India, Caroline and Tom raced through huge crowds of people trying to watch the incredible sunrise but with little time to appreciate the stunning views: ‘It’s a nice sunrise, bit hard to focus on, but it’s nice.’
Hot on Caroline and Tom’s heels, Elizabeth and Letitia received the next instructions to proceed on foot to the front of Our Lady of Ransom Shrine.
Not hesitating to ask multiple people for help, the teams made their way and discovered they must then take a boat to the Arockiapuram fishing village.
Caroline and Tom secured a boat for 1000 rupees, stressing that they were in a race and the need for speed to their driver. Still worried about having seen Fin and Sioned, Tom said: ‘I still can’t see Fin and Sioned, I don’t know if they can see us.’
The teams received a message instructing them to head on foot to the Vattakottai Fort. Running through the winding streets, trying to find the beach, Tom said: ‘It’s so far out of the way.’
On reaching the entrance to the Fort, Caroline and Tom ran in with Caroline asking, ‘Can you see anyone else, Thomas?’ and Tom replying, ‘I don’t see anyone.’
The pair reached the book and discovered they had won the race of a lifetime and a £20,000 prize.
Over the eight-part series, the four pairs have raced over 14,000km over 51 days.
The teams have successfully journeyed across the world’s largest continent, Asia, taking in three of its most diverse and fascinating nations – China, Nepal and India.
They’ve had to navigate crowds, congestion and cultural barriers, as well as a multitude of vast ranging landscapes on an epic journey from The Great Wall of China in northeastern China all the way to the southernmost tip of India – Kanniyakumari – all without smartphones, internet access and bank cards, and armed only with the cash equivalent of flying the route.
Following the final episode of Race Across the World, the teams will return for a heart-warming reunion celebration, which airs at 9pm on Wednesday, 18th June on BBC One.
Race Across the World is available to watch on BBC iPlayer.
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We deserve a well-soundtracked escape, and thanks to the brand new All Your Friends party, hosted by Burwoodland, we’ve got one. The first installment of the indie-fused Dj-helmed night takes place on June 27 at Baby’s All Right, with the same people behind Gimme Gimme […]
MusicWe deserve a well-soundtracked escape, and thanks to the brand new All Your Friends party, hosted by Burwoodland, we’ve got one.
The first installment of the indie-fused Dj-helmed night takes place on June 27 at Baby’s All Right, with the same people behind Gimme Gimme Disco, Emo Night Brooklyn, Broadway Rave and Party Iconic giving us a night manned by indie mainstays Matt and Kim and Passion Pit and producer and journalist Kim Taylor Bennett, who has been documenting the genre in written and video form since it first made a mark in the Borrough — a perfect line-up to purvey the millennial-core indie music that blessed airwaves and Brooklyn bars during the 2000s and 2010s. Get ready for a playlist of The Killers, MGMT, LCD Soundsystem, Yeah Yeah Yeahs, all of those iconic sounds that fuelled the glitter-filled nights that led to hungover mornings in Williamsburg.
Matt and Kim told us that it’s going to be a night filled with their own personal nostalgia. “We have so many memories playing in art spaces, apartments and random spots in Williamsburg in the mid-’00s,” they said. “There was a community of music going on in Brooklyn at the time that was really special,” Matt and Kim told PAPER. “I’m not sure I even recognized how unique it was while I was there. Will be really fun to be back in the neighborhood singing along to songs from that time,” they continued.
Alex Badanes and Ethan Maccoby, co-founders of Burwoodland, are excited to be starting the party in Brooklyn, “a hub for this genre.” “On a personal level, Ethan and I are deeply passionate about this genre. As millennials, we feel like we grew up with these artists and bands. I was at Berklee (and Ethan was at Tufts) while Passion Pit was coming up in the early 2010s, and I still remember seeing one of their first Boston shows, how electric it felt, how new it all sounded. That era shaped so much of our musical identity, and it feels like the right time to revisit it. So many of those albums are hitting anniversaries, and a whole new generation is discovering them, alongside a wave of exciting new artists carrying the torch. It’s also meaningful to be launching this alongside someone like Kim Taylor Bennett, who’s been championing this world for so long.”
Dig out your oldest American Apparel; it’s time to relive indie music’s glory days. The party starts at 11 pm on June 27. Free with RSVP Here. See you there.
Photography: Getty
Lucy Beaumont is attempting to help a charity after a huge loss (Picture: Coombes/ Shutterstock) Lucy Beaumont has made a huge gesture towards a cancer charity after losing £79,000 on The Wheel. The comedian was competing in Michael McIntyre’s BBC game show to win money […]
TVLucy Beaumont has made a huge gesture towards a cancer charity after losing £79,000 on The Wheel.
The comedian was competing in Michael McIntyre’s BBC game show to win money for various contestants.
The game sees a series of participants, guided by celebrity experts, attempting to answer their way to a fortune.
However, after leading one of the participants astray, Lucy is now pleading with the public to help raise some money.
Taking to Instagram, Lucy wrote to Newcastle City Hall saying: ‘Hello, I’m a comedian (Lucy Beaumont) I recorded an episode of Michael McIntyre’s The Wheel the other night and I lost a cancer survivor £79,000.
‘I’ve done the show before and lost someone £98,000.
‘The contestant in question is a Newcastle lad and top bloke and was trying to raise money for the charity Maggies.
‘Could I put on a comedy charity night at your venue with a great line up to try and raise some money?’
The comedian went on to add: ‘I’ll put my hand in my pocket too.’
Towards the end of last year, Lucy finally broke her silence regarding her split from fellow comedian Jon Richardson.
The pair announced they had ‘jointly and amicably made the difficult decision to divorce and go our separate ways’, just after the fifth season of their show hit screens.
It was also reported that Jon agreed to a seven-figure payout from Lucy.
The comedians were married in 2015 after being set up by a fellow comedian and mutual friend, After Life’s Roisin Conaty.
The pair welcomed their daughter in 2016.
But Lucy told OK! Magazine: ‘People might think I should talk about it because we were so public and everyone knew us as a couple, but I won’t, and not because there’s any animosity.
‘We both agreed that while it might be weird for other people not hearing anything about it, we wouldn’t talk about anything to do with the marriage or each other.’
The couple’s relationship was well-known to the public, largely due to their comedic collaborations, including the popular TV show Meet The Richardsons, which showed the world their married life.
Their chemistry both on and off-screen made them a favourite among fans, but despite their working partnership, their marriage ended with Jon paying Lucy a settlement of £1.625million.
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Bridgerton actress Genevieve Chenneour bravely defended herself after being targeted by a prolific London criminal while getting lunch.
The 27-year-old star’s real-life drama was thoroughly modern as she fought off a phone thief in Joe & the Juice.
Chenneour, who plays Clara Livingston in Netflix’s beloved show, was waiting for her order at the chain cafe on Kensington High Street, London.
The thief, who the Daily Mail identified as Zacariah Boulares, 18, quietly snuck up behind her and grabbed her phone, which was placed on the counter.
Immediately, Chenneour sprang into action as she spun around and grabbed his arm while another man came to her aid.
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CCTV footage shows her freeing her phone from his grasp as she pushes him to the ground and fights back against the hooded criminal.
In court on May 29, Boulares pleaded guilty to stealing her phone as well as assaulting another customer.
The actress previously told the Mail: ‘They didn’t expect me to stand up for myself – but I did.’
‘I was left with a concussion just before the Screen Actors Guild Awards and since then, I’ve felt constantly on edge,’ she shared.
‘Even my dog was traumatised – now, if anyone touches me, he panics and tries to protect me. Getting a coffee shouldn’t be something you need your wits about you for.’
Chenneour added that she was thankful to the staff in store who were ‘incredible’ during the incident, and she has returned to see since.
She retrained as an actress after winning an Olympic scholarship to train for Team GB’s artistic swimming team at the age of 15.
Unfortunately an injury prevented her from going pro but after being a stunt double for underwater scenes in Gateway To The West she landed a role on Bridgerton.
Boulares reportedly also threatened Aled Jones with a machete 18 months prior, as he stole the star’s £17,000 Rolex watch while in West London.
He was jailed for 14 months in a young offenders centre after the incident in October 2023, getting released 10 months early.
At the hearing regarding Chenneour’s case, he also admitted to stealing a handbag at a pizza restaurant in London’s West End in January this year.
In a message on her Instagram, the Bridgerton debutante thanked fans for their support after the attack.
‘I’m okay and incredibly grateful he won’t be able to harm anyone else,’ she said. ‘I am, however, finding it difficult to feel safe going out – especially after being repeatedly threatened with being stabbed in the face.’
Chenneour revealed that the man at the end of the video had threatened to stab her, turning it into a ‘life or death’ situation’in her mind’.
This second man has been released due to a lack of evidence and won’t be going to court, according to the star.
A spokesman for the Met Police said: ‘Police were called to a restaurant on Kensington High Street on Saturday, 8 February following reports of a theft and an assault.
‘CCTV showed the suspect stealing a phone from the table and then assaulting a separate member of the public who confronted him.
‘The victim of the assault was kicked and punched before the suspect left the premises.
‘CCTV enquiries identified Zacariah Boulares as the suspect and he was arrested. Boulares, 18, was charged with common assault and theft.’
He will be sentenced later this month.
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Sioned doesn’t deserve the mockery she’s received for crying on the BBC series (Picture: BBC/Studio Lambert) ‘I don’t want to be here.’ Four episodes into this year’s series of Race Across The World, it seemed as though 19-year-old Sioned was on the verge of quitting […]
TV‘I don’t want to be here.’
Four episodes into this year’s series of Race Across The World, it seemed as though 19-year-old Sioned was on the verge of quitting the BBC series.
Following their arrival in India, she and 18-year-old boyfriend Fin had to find a transport link to the city of Varanasi, after riding in a bus that had Sioned putting her head between her knees to cope with the loud traffic around them.
Two episodes earlier, she burst into tears while sitting on a beach in China with Fin, as the reality of being away from home hit her in a massive tidal wave. Some fans of the show ridiculed her for ‘always crying’, and said that they were ‘fed up’ with her complaints.
In my opinion, anyone who sneered at her for sobbing, for admitting that she was overwhelmed, or that she was out of her comfort zone, should be ashamed of themselves.
How hard is it to try and put yourself in another person’s shoes, even if you can’t relate to the way that they’re feeling?
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I admit, I can’t relate to Sioned in a lot of ways. She grew up in a small village in Wales, whereas I grew up in the hustle and bustle of London. I thrive on the energy of a busy city, while Sioned prefers the peace and quiet of the countryside.
That doesn’t mean that I can’t fathom how difficult it would be for a teenager to embark on a globe-trotting trip for the first time in their life. Especially if they’re travelling to a country with a massive change of pace, while figuring out how to complete their journey with a language barrier and struggling with what seems to be sensory overload.
Sioned wasn’t being spoilt when she burst into tears. She wasn’t showing herself up to be a child who’s been wrapped in cotton wool for her whole life. She was allowing her emotions to bubble over the surface, rather than bottle them up and have them explode at a later point.
She has a right to feel what she’s feeling, even if you would have been absolutely fine in her situation. And letting her emotions out is definitely healthier than keeping them to herself.
I can’t imagine how I would have coped travelling for over 50 days in countries I’ve never been to when I was 19 years old. The summer after I finished school, I went to a few spots in Spain and Italy with my friends for a couple of weeks.
It was a laugh, and I didn’t cry like Sioned, but I also had my phone, my passport, pre-planned accomodation, a decent understanding of where I was heading, and wasn’t racing against anyone to complete my journey.
Had I been racing across the world, I know I would have been woefully unprepared. Definitely more so than I would be if I went now in my 30s with a decade more life experience under my belt.
Fortunately, other people watching Race Across The World similarly admire the way that both Sioned and Fin have evolved since day one of the race.
They both have grown significantly, with Fin becoming a lot more confident in his decisions rather than relying on his girlfriend to make the hard choices whenever they were at a crossroads.
‘I’m so impressed with Sioned and Fin!! Might be rooting for them now,’ Bethan shared on X, as Kate commented: ‘If Fin or Sioned’s family are on here you should be so proud of their honesty, maturity and empathy.’ I couldn’t agree more.
Not only have Sioned and Fin had a journey where they’ve overcome challenges they’ve never encountered before, but they’ve also made great progress in the race. During legs three, four and five, they were massively behind the leaders, finishing 23, 27 and then 33 hours behind.
But they never threw in the towel, like plenty of people thought they would. At the end of leg six, they’d managed to narrow the margin so they were just six hours behind leaders Brian and Melvyn, before moving up to third place by the end of leg seven.
So for everyone snarking at Sioned for crying as Fin held her tenderly, telling her that everything was OK as they took a moment to breathe, just ask yourselves – how would you fare on Race Across The World?
I’d bet it’s a lot harder than it looks. And these two teenagers deserve your respect.
The Race Across The World 2025 final airs tonight at 9pm on BBC One and BBC iPlayer.
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The Legend of Zelda: Breath of the Wild – Nintendo Switch 2 Edition – the best just got better (Nintendo) The most successful Legend Of Zelda game of all time is remastered for the Nintendo Switch 2 and gains a significant performance boost. Nintendo may […]
GamingThe most successful Legend Of Zelda game of all time is remastered for the Nintendo Switch 2 and gains a significant performance boost.
Nintendo may be the most inscrutable video games company in the world, but you didn’t need any insider information to know that there was going to be a remaster of Zelda: Breath Of The Wild for the Switch 2. Not even they would ignore such an obvious idea and so it is that both Breath Of The Wild and its sequel Tears Of The Kingdom have been given special Nintendo Switch 2 Editions.
Considering we spent literally hundreds of hours playing the original versions of both games, there’s no way we, or anyone else, is going to be able to replay the whole thing in a reasonable amount of time, thanks to Nintendo not sending review units ahead of time. But the important thing to note about the Switch 2 version of Breath Of The Wild is that it doesn’t contain any new content.
There’s a multitude of technical improvements, and a mobile app with new features, but the actual gameplay, game world, and story are exactly the same as they were back in 2017. This means that despite concerns about Mario Kart World, the Switch 2 does launch with one of the best video games ever made.
Breath Of The Wild is an incredible game. Not just in its own right but as an example of perhaps the most thorough and successful reboot of any media property ever. It’s still a Zelda game but the open world gameplay and the lack of traditional dungeons transforms the formula into a freeform adventure that no other game, beyond its own sequel, has come close to emulating.
It’s an incredible achievement and absolutely deserves to retain the 10/10 score we originally gave it. And that’s before we start to get into the changes for the Switch 2 Edition. Naturally, the first thing you notice is the graphics, which despite no obvious changes to the textures or 3D models do look noticeably better. The higher resolution helps a lot but you can also see changes to the lighting, in part thanks to HDR support, and draw distance.
We’d also swear the game was using ray tracing at times, especially the way the light glints off metal shields, but Nintendo has made no mention of that, even though the Switch 2 does support the technology.
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Whatever’s going on the game looks fantastic, although because nothing substantial has changed in terms of the graphics themselves the simplistic textures do stand out at times, since this is still essentially a Wii U game. The desaturated colour scheme is also something we were never too enamoured with the first time around, although we’ve long since accepted that as part of the game’s aesthetic.
The most important graphical change is that the whole game now runs at a steady 60fps. When originally released there was some notable frame rate issues but while the most serious instances, such as in Korok Forest, were dealt with via a patch the game could still run into trouble at times, especially when there was a lot of enemies or explosions on screen.
Now everything is silky smooth no matter where you go and what you do, which makes a big difference. The Switch 2 also ensures faster loading times and while they’re not instantaneous, when you warp from one place to the next, it’s now only around a five second wait.
Plus, using the Master Cycle Zero motorbike, which you get from completing The Champions’ Ballad DLC, is no longer inhibited by juddery performance, as the game struggles to load in new areas of the map quickly enough, for the faster moving vehicle. Although none of the DLC is included with the Switch 2 Edition, so you have to buy that separately.
There’re no other changes to the game than that, beyond a second save file if you want to start again from scratch, but there is the Zelda Notes mobile app, which is filled with little extras but only one of any real significance.
The most useful feature is the ability to link the app with your save and have it direct you, via a map and a GPS style voiceover, to any Koroks or shrines you missed. We 100%-ed the game the first time round, except for all the Koroks, so this is super handy for those that want to catch ’em all.
Technically, the only new content in the whole remaster is commentary from Princess Zelda, which kicks in whenever you visit certain areas. None of it is particularly interesting though, and if there’s one thing we didn’t want more of from Breath Of The Wild, it’s the Zelda actress’ awful voice-acting.
And that’s it really, apart from the ability to share items with other players, edit photos, and check your play data and that of other players around the world. Although you can also get a free random item every day and more out of using an amiibo, but as far as we’re concerned that’s cheating.
Despite the understandable concerns about the price of games on Switch 2, this new edition of Breath Of The Wild 2 is quite reasonably priced, at least in terms of the upgrade. It’s just £8 or completely free if you’re subscribed to Nintendo Switch Online + Expansion Pack. The changes on offer are very clear and if you want to go back to the game and 100% it this is a great excuse, as the performance improvement is very noticeable, even to the non-technically minded.
And if you’ve never played the game before, and have just got a Switch 2 and want to check out the many classics released for its predecessor, then this is the perfect opportunity. The only problem is that if this was any other eight-year-old game its price would’ve shrunk considerably over the last few years, but it hasn’t – because it’s Nintendo and their prices rarely ever decrease.
That’s unfortunate but the simple reason as to why, is that people are willing to pay that much to play great games, and there are very few, if any, that are greater than Breath Of The Wild.
In Short: One of the best video games ever made gets a substantial performance boost on the Switch 2 and provides the perfect opportunity for new players to jump in or for veterans to hoover up every last Korok.
Pros: A stone cold classic that has lost absolutely none of its allure over the course of the last eight years. The graphical upgrade is significant and the navigation feature on the mobile app is very useful.
Cons: Some of the texture work is beginning to show its age. Not including the DLC is a bit cheap and we still resent not being able to change Link’s name.
Score: 10/10
Formats: Nintendo Switch 2
Price: £66.99 or £7.99 upgrade pack*
Publisher: Nintendo
Developer: Nintendo EPD
Release Date: 5th June 2025
Age Rating: 12
*free with Nintendo Switch Online + Expansion Pack
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Resident Evil Requiem – it seems suitably horrific (Capcom) Capcom has unveiled 30 minutes of gameplay footage for Resident Evil Requiem, at the Playdays event at Summer Game Fest, and we’ve seen it all. Summer Game Fest 2025 might have been a bit short on […]
GamingCapcom has unveiled 30 minutes of gameplay footage for Resident Evil Requiem, at the Playdays event at Summer Game Fest, and we’ve seen it all.
Summer Game Fest 2025 might have been a bit short on major announcements, but it had the only one that mattered for many fans: Resident Evil 9. Capcom revealed the game is called Resident Evil Requiem, but the initial trailer only featured a few minutes of gameplay and it wasn’t clear what it was about or whether new character Grace Ashcroft is the sole protagonist.
Following the conclusion of Resident Evil Village’s DLC, and the wrapping up of the Winters’ storyline, Requiem is poised to be another of the series’ many changes in direction. Although it remains one of the longest-running narrative franchises to have never had a full reboot, so there are plenty of references to the existing lore, even as the gameplay and graphics are taken up a notch, with Requiem serving as the first current gen-only entry in the series.
Grace appears to be the daughter of Alyssa Ashcroft from Resident Evil Outbreak – which is a surprisingly deep cut, given Outbreak is not well remembered nowadays. Grace seems a more grounded, cerebral protagonist than the likes of Jill Valentine or Leon S. Kennedy (both of whom are rumoured to be in the game) but her exact role in the new game is currently unclear.
The 30 minutes of gameplay started with Grace hanging from the stretcher we see in the trailer, which is revealed to be taking place at the new Wrenwood Hotel location. It’s not clear how she got there, but she’s got a large, bloody bandage seeping on her chest. Grace’s struggles against her tight bonds and hospital blood drip gave me the same visceral claustrophobia I felt when experiencing the Kitchen tech demo for Resident Evil 7 at E3 2015 and these feelings were pervasive throughout the whole preview.
The footage then concentrated on Grace stumbling through a contrasting mixture of eye-bleedingly bright white corridors, filled with sinister looking horse statues, and dark rooms and cupboards full of bloodied body parts. It’s in one of these dark storerooms, while inspecting a corpse, that you get your first jump scare – but it’s only from a rolling bottle, which Grace quickly adds to her inventory.
This proves to be a bait and switch, as you then get a good look at the disgusting bio-horror hag from the reveal trailer. It devours the head of one of the corpses before turning its attention to Grace. It looks a bit like Lisa Trevor from the Resident Evil remake, which was always one of the best additions to that game, but somehow even more slimy and disgusting.
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Naturally, Grace immediately runs away and the footage shifts to showing her solving some familiar puzzles involving fuses and a screwdrivers, that allows her to get under a grate and into the white marble staircases and gold chandeliers of what is presumably the Wrenwood Hotel lobby.
Capcom wasn’t offering any explanations for what was going on in the footage, but it seemed there were some major time skips involved, so it was hard to piece together what was going on in terms of the story or progression. However, it’s clear that the contrast between light and dark (which, funnily enough is pretty much exactly what clair obscur means) is a major theme for the game, with broken light switches and bulbs in several of the rooms.
The final tease involved a new option that allows you to switch, via a menu toggle, almost instantly between third and first person views, hopefully allowing for the best of both worlds, when it comes to the the first person view of the Winters duology and the third person view of the recent remakes.
It all looked great and my only niggle was Grace’s whimpering and stumbling footfalls, while completely understandable, were overly loud, repetitive, and seemed quite distracting even during this short gameplay preview.
The preview left a great many questions unanswered, most obviously whether Grace is the only playable character and whether any of the veteran stars (pun intended) of the series will be in the game. It’s also unclear who that old man in the dusty chair is, as while the initial guess was Wesker his age suggests it may actually be Umbrella founder Oswell E. Spencer, who hasn’t been seen since Resident Evil 5.
He appeared to die in that game, but that’s surely no impediment for a Resident Evil character. The gameplay footage also didn’t show anything from Raccoon City or the old police station, despite them being in the trailer, so it’s not clear how much of that is actually in the new game.
The footage was running on a PS5 Pro and looked stunning, with the flickering lights adding to the contrast of the rooms, that were dark with puddles of sticky black ooze that have to be burned away with a Zippo lighter. Everything looks very realistic and this is certain to be the best looking Resident Evil game ever, and one of the most graphically impressive games of the generation.
Capcom was in a hurry to finish up the Winters saga, with the DLC for Resident Evil Village, so it’s unclear how much time Requiem is going to spend tying up its loose ends. Despite the rumours of Leon and Jill making an appearance, some fans think that at one point it’s Chris Redfield who’s saying, ‘Have you seen the same shit I’ve seen?’ in the trailer.
So maybe the game actually features the whole gang getting back together – which would be appropriate given the franchise is celebrating its 30th anniversary next year.
With new mechanics, a new female protagonist, and new monsters, it’s clear that Requiem is trying not to rely too much on the past, while also staying true to the series’ horror roots. Just as Village was influenced by Resident Evil 4, it seems like Resident Evil 2 is the major influence here – in terms of the interior exploration and slower, more tense atmosphere.
Capcom has been on a roll lately, and with a big anniversary coming up it seems as if they’re pulling out all the stops to make Resident Evil Requiem a suitable homage to the past and something exciting and new for the future.
Formats: Xbox Series X/S, PlayStation 5, and PC
Price: TBA
Publisher: Capcom
Developer: Capcom
Release Date: 27th February 2025
Age Rating: 18
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A ‘powerful’ new thriller has stormed to the top of the Netflix charts, claiming more than 25million views in just a few days. Written, directed and produced by Alex Cross star Tyler Perry, Straw follows a single mother who becomes embroiled in a sequence of […]
FilmA ‘powerful’ new thriller has stormed to the top of the Netflix charts, claiming more than 25million views in just a few days.
Written, directed and produced by Alex Cross star Tyler Perry, Straw follows a single mother who becomes embroiled in a sequence of terrible and violent events as she struggles to care for her ill daughter.
Oscar-nominee Taraji P Henson leads the cast alongside Teyana Taylor, Jingle All the Way actor Sinbad, and Precious actress Sherri Shepherd.
The movie was added to the streaming platform on June 6 and it didn’t take long for fans to watch it in their droves – as it has dominated the global charts.
Straw currently commands the top spot with more than 25.3m views in the last seven days, and over 45.5m hours watched.
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It beat out stiff competition from the Now You See Me franchise, the Bee Movie, M3GAN and Nonnas for the top slot.
Wrath of the Titans, Aquaman and the Lost Kingdom, Puss In Boots: The Last Wish and the Wild Robot also make up the list.
Emerging to strong word of mouth from audiences, the film has been described as one of Tyler’s best films to date – admittedly, this mixed-bag of a catalogue does include his Madea and Mrs Brown’s Boys crossover.
Viewers were particularly vocal about the ‘heartbreaking’ ending – which featured a twist to the tale which will ensure it won’t be forgotten in a hurry.
After watching, fans took to social media to share their thoughts on what they had just witnessed.
‘Straw is such a humbling movie. The rawness was so real and the plot twist was crazy,’ she_mego wrote on X.
‘What a walk through emotions @tylerperry’s Straw. The plot twist at the end wallowed me up. A good watch indeed!’ sandra_buma agreed.
‘After watching Straw, I no longer know how my heart is feeling. When what gave you purpose is suddenly gone. It speaks to a pain that’s hard to name. Raw, emotional, and deeply human. Kudos to the writer… truly outdone,’ david_harris_r said.
‘Tyler Perrys Straw absolutely incredible I literally cried blown away! [sic]’MelisaWhiskey added.
Critics also heaped praise on Taraji, with Screen Rant describing her performance as ‘an acting masterclass.’
‘Straw has a cultural pulse-taking urgency that lifts it above [Tyler Perry’s] usual run of comedies and melodramatic potboilers, flawed as it is,’ Dennis Harvey of Variety wrote.
Meanwhile, Entertainment Weekly described the film’s emotions as ‘so raw and the performances are so earnest that you’ve really got to have a heart of stone not to care for these people.’
Award-winning Taraji previously starred in hit movies The Color Purple and Hidden Figures, as well as iconic series Empire.
Her performance in the film comes two years after she spoke out on the issue of inequality in pay for Hollywood’s women of colour.
‘I’m just tired of working so hard, being gracious at what I do, getting paid a fraction of the cost,’ she told Gayle King on SiriusXM Radio.
‘I’m tired of hearing my sisters saying the same thing over and over. You get tired. I hear people go, “You work a lot.” I have to – the math ain’t mathing.
‘And when you start working a lot, you have a team. Big bills come with what we do. We don’t do this alone. The fact that we’re up here, there’s a whole entire team behind us. They have to get paid.
‘When you hear people saying, “Oh, such and such made $10m.” That didn’t make it to their account. Know that off the top, Uncle Sam is getting 50%. Do the math.
‘Now we have $5m – your team is getting 30% off of what you gross, not after what Uncle Sam took. Now do the math.’
As the interview went viral, fans and peers in the acting community shared messages of support.
‘Not a damn lie told. Not. A. Damn. Lie. We go TO BAT for the next generation and hell even our own generation and above,’ Gabrielle Union cheered in response.
‘We don’t hesitate to be the change that we all need to see AND it takes a toll on your mind, health, soul, and career if we’re keepn it [100]. [Love] u @tarajiphenson. [sic]’
‘We feel you, @tarajiphenson and we love you. It’s a fight we ALL are waging,’ Community star Yvette Nicole Brown agreed.
‘For ourselves and for the ones coming up after us. This mess sucks!’
This article was first published on June 8.
Straw is now streaming on Netflix.
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