Game Pass – will it continue forever? (Microsoft) The Monday letters page struggles to predict what’s going to happen with the PlayStation 6, as one reader sees their opinion of the Switch 2 change over time. To join in with the discussions yourself email gamecentral@metro.co.uk […]
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TVTyson Fury is famous for his potty mouth (Picture: ITV) Soccer Aid 2025 got off to a rather chaotic start thanks to Tyson Fury’s potty mouth. The former professional boxer joined a lineup of major celebrities taking part in this year’s event to raise money […]
TVResident Evil Requiem – it seems suitably horrific (Capcom) Capcom has unveiled 30 minutes of gameplay footage for Resident Evil Requiem, at the Playdays event at Summer Game Fest, and we’ve seen it all. Summer Game Fest 2025 might have been a bit short on […]
GamingCapcom has unveiled 30 minutes of gameplay footage for Resident Evil Requiem, at the Playdays event at Summer Game Fest, and we’ve seen it all.
Summer Game Fest 2025 might have been a bit short on major announcements, but it had the only one that mattered for many fans: Resident Evil 9. Capcom revealed the game is called Resident Evil Requiem, but the initial trailer only featured a few minutes of gameplay and it wasn’t clear what it was about or whether new character Grace Ashcroft is the sole protagonist.
Following the conclusion of Resident Evil Village’s DLC, and the wrapping up of the Winters’ storyline, Requiem is poised to be another of the series’ many changes in direction. Although it remains one of the longest-running narrative franchises to have never had a full reboot, so there are plenty of references to the existing lore, even as the gameplay and graphics are taken up a notch, with Requiem serving as the first current gen-only entry in the series.
Grace appears to be the daughter of Alyssa Ashcroft from Resident Evil Outbreak – which is a surprisingly deep cut, given Outbreak is not well remembered nowadays. Grace seems a more grounded, cerebral protagonist than the likes of Jill Valentine or Leon S. Kennedy (both of whom are rumoured to be in the game) but her exact role in the new game is currently unclear.
The 30 minutes of gameplay started with Grace hanging from the stretcher we see in the trailer, which is revealed to be taking place at the new Wrenwood Hotel location. It’s not clear how she got there, but she’s got a large, bloody bandage seeping on her chest. Grace’s struggles against her tight bonds and hospital blood drip gave me the same visceral claustrophobia I felt when experiencing the Kitchen tech demo for Resident Evil 7 at E3 2015 and these feelings were pervasive throughout the whole preview.
The footage then concentrated on Grace stumbling through a contrasting mixture of eye-bleedingly bright white corridors, filled with sinister looking horse statues, and dark rooms and cupboards full of bloodied body parts. It’s in one of these dark storerooms, while inspecting a corpse, that you get your first jump scare – but it’s only from a rolling bottle, which Grace quickly adds to her inventory.
This proves to be a bait and switch, as you then get a good look at the disgusting bio-horror hag from the reveal trailer. It devours the head of one of the corpses before turning its attention to Grace. It looks a bit like Lisa Trevor from the Resident Evil remake, which was always one of the best additions to that game, but somehow even more slimy and disgusting.
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Naturally, Grace immediately runs away and the footage shifts to showing her solving some familiar puzzles involving fuses and a screwdrivers, that allows her to get under a grate and into the white marble staircases and gold chandeliers of what is presumably the Wrenwood Hotel lobby.
Capcom wasn’t offering any explanations for what was going on in the footage, but it seemed there were some major time skips involved, so it was hard to piece together what was going on in terms of the story or progression. However, it’s clear that the contrast between light and dark (which, funnily enough is pretty much exactly what clair obscur means) is a major theme for the game, with broken light switches and bulbs in several of the rooms.
The final tease involved a new option that allows you to switch, via a menu toggle, almost instantly between third and first person views, hopefully allowing for the best of both worlds, when it comes to the the first person view of the Winters duology and the third person view of the recent remakes.
It all looked great and my only niggle was Grace’s whimpering and stumbling footfalls, while completely understandable, were overly loud, repetitive, and seemed quite distracting even during this short gameplay preview.
The preview left a great many questions unanswered, most obviously whether Grace is the only playable character and whether any of the veteran stars (pun intended) of the series will be in the game. It’s also unclear who that old man in the dusty chair is, as while the initial guess was Wesker his age suggests it may actually be Umbrella founder Oswell E. Spencer, who hasn’t been seen since Resident Evil 5.
He appeared to die in that game, but that’s surely no impediment for a Resident Evil character. The gameplay footage also didn’t show anything from Raccoon City or the old police station, despite them being in the trailer, so it’s not clear how much of that is actually in the new game.
The footage was running on a PS5 Pro and looked stunning, with the flickering lights adding to the contrast of the rooms, that were dark with puddles of sticky black ooze that have to be burned away with a Zippo lighter. Everything looks very realistic and this is certain to be the best looking Resident Evil game ever, and one of the most graphically impressive games of the generation.
Capcom was in a hurry to finish up the Winters saga, with the DLC for Resident Evil Village, so it’s unclear how much time Requiem is going to spend tying up its loose ends. Despite the rumours of Leon and Jill making an appearance, some fans think that at one point it’s Chris Redfield who’s saying, ‘Have you seen the same shit I’ve seen?’ in the trailer.
So maybe the game actually features the whole gang getting back together – which would be appropriate given the franchise is celebrating its 30th anniversary next year.
With new mechanics, a new female protagonist, and new monsters, it’s clear that Requiem is trying not to rely too much on the past, while also staying true to the series’ horror roots. Just as Village was influenced by Resident Evil 4, it seems like Resident Evil 2 is the major influence here – in terms of the interior exploration and slower, more tense atmosphere.
Capcom has been on a roll lately, and with a big anniversary coming up it seems as if they’re pulling out all the stops to make Resident Evil Requiem a suitable homage to the past and something exciting and new for the future.
Formats: Xbox Series X/S, PlayStation 5, and PC
Price: TBA
Publisher: Capcom
Developer: Capcom
Release Date: 27th February 2025
Age Rating: 18
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A ‘powerful’ new thriller has stormed to the top of the Netflix charts, claiming more than 25million views in just a few days. Written, directed and produced by Alex Cross star Tyler Perry, Straw follows a single mother who becomes embroiled in a sequence of […]
FilmA ‘powerful’ new thriller has stormed to the top of the Netflix charts, claiming more than 25million views in just a few days.
Written, directed and produced by Alex Cross star Tyler Perry, Straw follows a single mother who becomes embroiled in a sequence of terrible and violent events as she struggles to care for her ill daughter.
Oscar-nominee Taraji P Henson leads the cast alongside Teyana Taylor, Jingle All the Way actor Sinbad, and Precious actress Sherri Shepherd.
The movie was added to the streaming platform on June 6 and it didn’t take long for fans to watch it in their droves – as it has dominated the global charts.
Straw currently commands the top spot with more than 25.3m views in the last seven days, and over 45.5m hours watched.
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It beat out stiff competition from the Now You See Me franchise, the Bee Movie, M3GAN and Nonnas for the top slot.
Wrath of the Titans, Aquaman and the Lost Kingdom, Puss In Boots: The Last Wish and the Wild Robot also make up the list.
Emerging to strong word of mouth from audiences, the film has been described as one of Tyler’s best films to date – admittedly, this mixed-bag of a catalogue does include his Madea and Mrs Brown’s Boys crossover.
Viewers were particularly vocal about the ‘heartbreaking’ ending – which featured a twist to the tale which will ensure it won’t be forgotten in a hurry.
After watching, fans took to social media to share their thoughts on what they had just witnessed.
‘Straw is such a humbling movie. The rawness was so real and the plot twist was crazy,’ she_mego wrote on X.
‘What a walk through emotions @tylerperry’s Straw. The plot twist at the end wallowed me up. A good watch indeed!’ sandra_buma agreed.
‘After watching Straw, I no longer know how my heart is feeling. When what gave you purpose is suddenly gone. It speaks to a pain that’s hard to name. Raw, emotional, and deeply human. Kudos to the writer… truly outdone,’ david_harris_r said.
‘Tyler Perrys Straw absolutely incredible I literally cried blown away! [sic]’MelisaWhiskey added.
Critics also heaped praise on Taraji, with Screen Rant describing her performance as ‘an acting masterclass.’
‘Straw has a cultural pulse-taking urgency that lifts it above [Tyler Perry’s] usual run of comedies and melodramatic potboilers, flawed as it is,’ Dennis Harvey of Variety wrote.
Meanwhile, Entertainment Weekly described the film’s emotions as ‘so raw and the performances are so earnest that you’ve really got to have a heart of stone not to care for these people.’
Award-winning Taraji previously starred in hit movies The Color Purple and Hidden Figures, as well as iconic series Empire.
Her performance in the film comes two years after she spoke out on the issue of inequality in pay for Hollywood’s women of colour.
‘I’m just tired of working so hard, being gracious at what I do, getting paid a fraction of the cost,’ she told Gayle King on SiriusXM Radio.
‘I’m tired of hearing my sisters saying the same thing over and over. You get tired. I hear people go, “You work a lot.” I have to – the math ain’t mathing.
‘And when you start working a lot, you have a team. Big bills come with what we do. We don’t do this alone. The fact that we’re up here, there’s a whole entire team behind us. They have to get paid.
‘When you hear people saying, “Oh, such and such made $10m.” That didn’t make it to their account. Know that off the top, Uncle Sam is getting 50%. Do the math.
‘Now we have $5m – your team is getting 30% off of what you gross, not after what Uncle Sam took. Now do the math.’
As the interview went viral, fans and peers in the acting community shared messages of support.
‘Not a damn lie told. Not. A. Damn. Lie. We go TO BAT for the next generation and hell even our own generation and above,’ Gabrielle Union cheered in response.
‘We don’t hesitate to be the change that we all need to see AND it takes a toll on your mind, health, soul, and career if we’re keepn it [100]. [Love] u @tarajiphenson. [sic]’
‘We feel you, @tarajiphenson and we love you. It’s a fight we ALL are waging,’ Community star Yvette Nicole Brown agreed.
‘For ourselves and for the ones coming up after us. This mess sucks!’
This article was first published on June 8.
Straw is now streaming on Netflix.
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Netflix says the new interface makes choosing what to watch ‘quick, simple and intuitive’ (Picture: Thomas Fuller/SOPA Images/LightRocket via Getty Images) Netflix has unveiled a new version of the app, and some users have been left unimpressed. The redesign has been rolling out globally since […]
TVNetflix has unveiled a new version of the app, and some users have been left unimpressed.
The redesign has been rolling out globally since May 19, promising to bring ‘better recommendations and an improved interface that highlights what matters most to you’.
New features include improved shortcuts, more personalised recommendations and ‘a clean and modern design’.
But many Netflix subscribers, of which there are 300 million in total, have voiced their complaints about the new look, while others have defended the change.
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Users have called it ‘terrible’, ‘clunky’ and ‘the worst update possible’. Some have even threatened to cancel their subscriptions.
On Reddit, one calling themselves Nearby_View544 said: ‘It’s awful. My TV updated to it automatically this week after putting off the update for ages, now it’s a load of rubbish. Will be cancelling [my] subscription’.
Pookiejim echoed: ‘It’s soo dire. You can’t find anything. It was so slick and easy to use before. Now it’s soo clunky. I’m always willing to try new ideas, but this is a big step backwards. Thinking I might actually now cancel my subscription.’
Another user simply said: ‘It’s like they wanted to put out the worst update possible.’
Meanwhile, on X, @_daniredd complained: ‘Netflix’s update is diabolical, where the hell is the coming soon section!!’ and @mrjeffknoxwrote : ‘Darn it, Netflix forced a not very user friendly update on me. This interface is horrible.’
Some frustrated subscribers have even signed a petition to restore the older user interface, with the organiser writing: ‘The new layout only allows users to see a sparse selection of 3 or 4 titles per screen, compared to the previously user-friendly layout of 20 or more titles.
‘This change not only limits variety and accessibility but also diminishes the ease-of-use Netflix was renowned for.’
Metro‘s Deputy TV Editor, Tom Percival, shared his thoughts on Netflix’s new look:
‘I’ll be the first to admit the new user interface looks really slick. I like how minimalistic it is, and it’s definitely more modern than the older, busier design.
‘I also get what Netflix is going for with the big thumbnails; it’s supposed to make finding what to watch easier and more intuitive.
‘Here’s the thing, though. The stripped-back look doesn’t make finding things any easier; in fact, it makes it a lot more difficult. Let’s start with the thumbnails; they are gargantuan and take up way too much of the screen.
‘I know that sounds like a nitpick, but it makes browsing a bit of a nightmare, because they limit what you can see.
‘What’s more, far too many of the options and information are hidden from view, which makes navigating the service more tedious than it once was.
‘I’m not expecting Netflix to undo this update, but I am hoping they can find a nice middle ground between what we had and this more modern design.’
However, others have been slightly more level-headed about the update. Reddit user dangler83 reasoned: ‘To be fair, most drastic new UI changes are disliked (because it’s not familiar). Now that’s not to say that the changes made are in fact better, but it may take some time to fully appreciate [them]’.
MenthoL809 agreed: ‘I’m sure it’ll be like pretty much every other redesign of every tech product ever. It comes out, people hate it, and a month later nobody remembers what the previous version looks like’.
Netflix says the new interface makes choosing what to watch ‘quick, simple and intuitive’.
When the new look was first unveiled in May, Eunice Kim, Netflix’s chief product officer, said: ‘We wanted to create an experience that was more flexible for our broad entertainment offerings, more intuitive and responsive to our members’ needs, and capable of elevating the most thrilling moments on Netflix.’
And not everyone is totally against the new look.
User RevRay said on Reddit: ‘The only issue I have with it is the removal of the tabs on the left side of the screen. Otherwise it’s still better than the majority of streaming services.’
schwiftydude47 added: ‘Most of us just watch the same show over and over again anyway. If anything, this makes it easier to get to whatever show that is.’
Netflix’s new look is designed to be more personal and make choosing what to watch easier.
For example, users will get fresh rows of recommendations in real time as they browse the app, depending on which titles they engage with. The idea is to help subscribers quickly find something that suits their mood in the moment.
Other features include shortcuts at the top of the screen (instead of the left-hand side) and a ‘My Netflix’ hub, where users can find their Continue Watching, My List and Remind Me sections.
The new interface also includes more detailed information about each title, such as the synopsis, runtime, award wins, Top 10 history and key cast, which appear up-front while users browse.
One of the changes users have taken issue with is the removal of ‘categories’ as a standalone menu, but Netflix says it’s still possible to filter by genres or themes when clicking into Search.
The new Netflix interface started rolling out globally on May 19, so many users have already had a chance to try it out. If your app hasn’t updated yet, it’s likely that it will very soon.
Netflix says that most TV and streaming devices are currently eligible for the new update, with more devices to be added as the rollout continues.
The streamer has also said that users should notice a welcome message, which will walk them through the new homepage once it’s been updated.
Metro has contacted Netflix for comment.
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Fern Britton claims Phil Vickery hasn’t talked to her for six years (Picture: Goff) Fern Britton has claimed her ex-husband, TV chef Phil Vickery, ‘stopped talking’ to her following the loss of her mum. The TV presenter, 67, and Phil, 64, were married for two […]
TVFern Britton has claimed her ex-husband, TV chef Phil Vickery, ‘stopped talking’ to her following the loss of her mum.
The TV presenter, 67, and Phil, 64, were married for two decades before their 2020 divorce, which came as Fern’s parents died.
In a new interview, Fern has claimed Phil stopped talking to her after the death of her mother in 2018, and she’s had no contact since.
‘He hasn’t spoken to me for six years now. As soon as my mum died, he stopped talking to me,’ she said told Yours Magazine.
Fern shares daughter Winnie Vickery, 23, with Phil, so says she will try to never bad-mouth him.
The former This Morning presenter explained: ‘Winnie adores him. I’m not going to bad-mouth him in front of her; at least, I try very hard not to. I was the child of divorced parents and my mum never bad-mouthed my father.’
When announcing their separation in 2020, Fern’s statement read: ‘After more than 20 happy years together, Phil and I have decided to go our separate ways.
‘We will always share a great friendship and our lovely children.’
She later said that she and Phil ‘fell apart’ following the death of her parents. Fern’s mother, Ruth Britton, died in January 2018. Her father, actor Tony Britton, died shortly after.
Fern and Phil’s divorce came after her 2016 hysterectomy and a near-fatal sepsis diagnosis.
‘Then my mum died in 2018 and my dad died in 2019, and then my marriage [to chef Vickery] died,’ she said in a recent interview with The Telegraph,
‘Next, I discovered that my phone had been hacked for 15 years. And last year a man who was stalking me for several years went to court and was given a restraining order.
‘For a while, I was wondering what else could possibly happen. But lots of women endure difficult stuff and we just live with it and keep going.’
Phil was Fern’s second husband, as she was married to Clive Jones for two years before divorcing in 2000. Clive is the father of Fern’s three other children: Jack, Harry, and Grace.
She added that divorce was ‘not a breeze’, adding: ‘No matter how you hope it’s going to be easy and pain-free, inevitably it isn’t. It’s difficult and brings up a lot of unpleasant characteristics in everybody.’
Fern previously opened up about her mental and physical health struggles following the divorce and her parents’ deaths, saying she ‘fell into this era of indolence’ where she ‘just started lying in bed later and later and later’.
‘What was the purpose of getting up and getting dressed or getting showered or cleaning my teeth because I will soon be back in bed.
‘Why don’t I start smoking? Yes. Drinking. Yes, eating yes, the whole thing. And then it took me about a year to realise that I put a lot of weight on, that I was not breathing well.’
Now, Fern says she’s found her old self again, and is ‘enjoying life and having fun’ in her Cornish home, where she moved after her divorce.
Phil and Fern originally met on the set of BBC Two’s Ready Steady Cook and married in spring 2000.
Fern has just released her 11th novel, A Cornish Legacy, which tells the story of a woman called Cordelia Jago, as she inherits a crumbling mansion in Cornwall having lost everything.
Metro has contacted Phil Vickery’s representative for comment.
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After a two-and-a-half year long wait, Netflix’s hit coming-of-age series Ginny & Georgia has returned for a third season.
The popular show follows the titular mother and daughter duo (played by Antonia Gentry and Brianne Howey) as the try to put down roots in a new town and escape their past.
By season three we see mum Georgia subjected to a grisly murder trial with the whole nation ‘judging every dark secret she’s tried to hide’.
Meanwhile, as well as coping with her mother’s high-profile trial, Ginny is navigating the usual teenage highs and lows of anguished romance and friendship woes.
It’s already proven to be the huge hit the streamers hoped it would be, easily topping the global Netflix charts with a whopping 17.6million viewers in its first week alone.
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This comes alongside rave audience reviews with the third season receiving its highest score on Rotten Tomatoes yet with an impressive 82%.
For those looking to whet their appetite before diving into the chaos of the new season, look no further.
Several fans have praised the tonal-shift of the new episodes, moving away from the more cringey dialogue of seasons part for a deeper and grittier plot.
In particular fans shared their love for Max’s (Sara Waisglass) character arc and performance.
‘They ate down and devoured this was an amazing season, it was not cringy at all. It was so different from the first two seasons, it was so serious and I was so into it. I binged watched the whole series,’ RT user Adi F wrote.
‘Best season yet!!! The writing on this show (at least for Netflix) is REAL TV, especially through Max’s character.
‘There’s so much going on and this should be a lesson to streamers to let a show grow and find its footing before you cancel it. After finishing the last two episodes, I can’t wait to see what happens next,’ Tyler D echoed.
‘WOW! WOW! WOW…Season 3!!! How amazing to be “reunited” with my favorite characters and slip right back into the twists and turns of the nuanced world that is Ginny & Georgia! The writing, the performances were next level!’ Lisa S shared.
‘Season three does not disappoint! Once again, I had a range of emotions…happy, pissed, relieved, tears, elation, shocked. It was so good! So much going on.’ Marni C added.
‘There’s just something about this season that really hit different. I’ve loved Ginny & Georgia from the start, and the team behind it keeps proving how talented they are. While the first two seasons had some cheesy moments, this one felt more grounded and real,’ Carley M agreed.
‘You could honestly tell why this season took so long to come out. The amount of effort put in by the writers was noticeable, carefully developing previously neglected characters while still doing right by plot lines carried over from previous seasons.
‘Certain scenes were truly gut-wrenching. This was hands down my favorite season of the show,’ Accursed B declared.
After ending on a suitable dramatic note, fans have been saved the agony of waiting for a renewal, with Netflix already greenlighting a fourth season.
Discussing her approach to the third season and exploring Georgia’s relationship with her children, creator Sarah Lampert told Hollywood Reporter that they spoke with a psychologist.
She explained: ‘We chatted with [psychologist] Dr. Taji again and we were like: “If we were going to bring them to a more healed relationship, what would have to happen?” And she said, “You’d have to break Georgia,”
‘Georgia needs to feel like she really might lose her kids, and only then could she change and want to change.’
As for exactly how that pans out, you’ll have to watch and see.
Ginny and Georgia is available to stream on Netflix now.
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MindsEye arrives at a weird time (IO Interactive) One of the most important GTA developers has released a new third person action game, but its launch has been marred by performance issues and bugs. Launching a brand new IP at the same time as the […]
GamingOne of the most important GTA developers has released a new third person action game, but its launch has been marred by performance issues and bugs.
Launching a brand new IP at the same time as the Switch 2 launch and the not-E3 season of preview showcases was perhaps not the wisest choice for new third person action game MindsEye, but that’s turned out to be only one problem amongst many for the troubled release.
MindsEye, developed by Build A Rocket Boy, was released across PlayStation 5, Xbox Series X/S and PC on Tuesday, June 10, and as you may have noticed, we don’t have a review up yet. In fact, no outlets have published reviews at the time of writing, presumably because everyone is in the same boat and hasn’t received a review copy yet.
Publishers aren’t required to give codes to publications but, as has been the case in the past, it can often suggest that they’re not entirely confident in the final product and want to avoid negative press. While we’ll hold our full judgement for now, the game’s launch hasn’t exactly gone down well with those that have already bought it.
On Steam, the game has a ‘mixed’ average rating based on over 800 reviews, with some players calling out performance issues and ‘extremely restricting’ system requirements.
Many of these issues have been encapsulated in video clips on social media, which show stuttering problems, glitches where you fall through the floor, distorted faces, characters floating in the air, and crash bugs.
‘They really should have delayed MindsEye,’ one user on X wrote. ‘Was playing it and all of a sudden it crashed. Then my save data got corrupted.’
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‘MindsEye is a complete technical DISASTER,’ another wrote. ‘Avoid this game right now at ALL COSTS.’
Yeah, Mindseye definitely needed a delay… pic.twitter.com/mhBNkvMN2f
— NikTek (@NikTekOfficial) June 10, 2025
The first 3 hours of #Mindseye was a rollercoaster -This was/is tomorrow's intro for our early review, but I've not seen anyone posting glitches like this yet.This is on PS5 :/ pic.twitter.com/uVGqfA3h9Z
— McTannen (@Mctannen) June 10, 2025
Following the game’s launch, Build A Rocket Boy has promised to improve performance across all platforms.
‘We understand that the current minimum spec requirements are very high, but our engineering team are working around the clock to improve performance on mainstream hardware as well as consoles by integrating the performance improvements in Unreal Engine V5.6,’ a statement reads. ‘We will provide patch 3 update timing, including these improvements, within the next 24 hours.’
In the run up to launch, MindsEye has had a weird vibe around it. When negative previews began circulating online last month, Build A Rocket Boy’s co-CEO Mark Gerhard claimed all the people who reacted negatively to the game were being financed by an unnamed ‘someone’.
Creepiest Bug I have ever witnessed since AC Unity #MindsEye pic.twitter.com/qHOgYmHRIg
— viktor lindén (@viktorlindn) June 10, 2025
In a response on Discord, Gerhard wrote: ‘I just said that there is a concerted effort by some people that don’t want to see Leslie [Benzies] or Build A Rocket Boy to be successful that are making a concerted effort to trash the game and the studio. It’s pretty easy to see the bots and the repeated replies to any content that we put out.’
While he doesn’t explicitly state who he is referring to, many have taken this to be a reference to Rockstar Games and/or Take-Two Interactive. Leslie Benzies, the co-founder of Build A Rocket Boy, was previously a lead developer on the GTA series and former president of Rockstar North.
He left Rockstar in 2016 but, shortly afterwards, Benzies filed a lawsuit against the company claiming he was unlawfully dismissed and entitled to unpaid royalties. This case came to an end in February 2019 with an undisclosed settlement between Take-Two and Benzies.
MindsEye is the studio’s first game but Build A Rocket Boy previously announced a massively multiplayer online title called Everywhere, which has been compared to an adult version of Roblox.
While MindsEye was originally going to be one experience within this wider Everywhere package, it has spun out into a separate entity with its own creation suite, called Play.MindsEye and Build.MindsEye.
However, as revealed in an interview with VGC, the developers have said Everywhere will be shown again at some point in the future. ‘MindsEye is definitely the thing that people should be focusing on,’ assistant game director, Adam Whiting, said. ‘But we haven’t forgotten about Everywhere, it will re-emerge.’
It remains to be seen if MindsEye can overcome these initial launch issues, but for now, you can expect our full review in the coming weeks.
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Sam Gardiner died last month (Picture: BBC/Studio Lambert) Race Across the World star Sam Gardiner died from a ‘devastating brain injury’ sustained in a car crash, an inquest has heard. The 24-year-old appeared on the BBC show with his mum Jo in the series which aired in March […]
TVRace Across the World star Sam Gardiner died from a ‘devastating brain injury’ sustained in a car crash, an inquest has heard.
The 24-year-old appeared on the BBC show with his mum Jo in the series which aired in March 2020. The mother-son duo were seen travelling across Mexico and Argentina for the cross-country challenge, before coming fourth.
Gardiner was driving a white Volkswagen Golf R estate when it came off the road and rolled on May 26.
The inquest into Gardiner’s death has now heard that he lost control of his car after hitting a curb on the A34 in in Gatley, near Cheadle.
Gardiner was taken to Salford Royal Hospital, where he died three days later, the hearing at Stockport Coroners’ Court was told.
The police coroner’s officer Andrew Levett told the inquest opening that Gardiner had died of a ‘devastating brain injury’ from the crash, the Manchester Evening News reports.
Levett added: ‘At approximately 9.49pm on Monday, May 26, Sam Gardiner was travelling on the A34 northbound heading towards Manchester when his vehicle collided with the curb on the central reservation.
‘He lost control of his vehicle before striking a tree and coming to a rest.’
Gardiner, who was a landscape gardener, had been working on an isolated estate on the west coast of Scotland and was home in Manchester for a family gathering.
The full inquest will be held on October 13.
In a statement, his parents, Jo and Andrew, said they are ‘devastated’ by the loss of Sam.
Their statement continued: ‘Sam left us far too soon, and whilst words will never fully capture the light, joy and energy he brought into our lives, we hold on to the memories that made him so special. Sam was adored by his family. As a son, brother and nephew, he was loyal, funny and fiercely protective.
‘He did Race Across the World in 2019, which opened his eyes to the wonder of adventure and travel. He was willing to go wherever the trail might lead, and he touched everyone he met on the road. He found great happiness working as a landscape gardener on the west coast of Scotland.
‘Sam brought warmth, laughter and a smattering of chaos wherever he went. He leaves behind a huge hole in our hearts. We will miss him endlessly, but we’ll also remember him with smiles, tall tales, and a depth of love that will never fade.’
The show paid tribute to him in a recent episode, while his loved ones have said they are ‘overwhelmed’ by the support they’ve received.
A JustGiving page launched in his memory, in aid of National FASD (Fetal Alcohol Spectrum Disorder), has so far raised nearly £20,000.
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Porsha Williams and Simon Guobadia are in the middle of divorce proceedings (Picture: Instagram) A Real Housewives of Atlanta star’s estranged husband has reportedly been deported from the US after months in an Immigration and Customs Enforcement (ICE) detention centre. Porsha Williams’, 43, estranged husband […]
TVA Real Housewives of Atlanta star’s estranged husband has reportedly been deported from the US after months in an Immigration and Customs Enforcement (ICE) detention centre.
Porsha Williams’, 43, estranged husband Simon Guobadia, 61, is said to have been released from ICE custody and deported back to Nigeria, where the businessman was born.
Guobadia is no longer listed on the US Department of Homeland Security system, which has details of all those in ICE custody.
A friend and business partner of Guobadia’s, Tai Savet, has said he is in ‘good spirits’ after a difficult four months in detention.
Amid ongoing protests in Los Angeles over the government’s immigration crackdown, Savet told Us Weekly that Guobadia isn’t angry at President Donald Trump, but would like a sit-down meeting with him.
The businessman was previously held at Stewart Detention Center in Lumpkin, Georgia, Us Weekly reported, during which his status was listed as ‘in ICE custody’, according to the US Department of Homeland Security’s records.
Real Housewives of Atlanta star Williams issued a statement when Guobadia was detained in February, amid her ongoing divorce proceedings with him.
‘It’s disheartening to see my estranged husband make choices that have led to this outcome. At this moment, my priority is moving forward with my family,’ she wrote on Instagram.
Guobadia moved to the US in 1982 but reportedly overstayed his visa and was deported in 1992, local outlet WSB-TV reported. He then returned to the country and attempted to gain citizenship over the years, unsuccessfully.
Guobadia’s deportation comes amid President’s Trump’s deportation programme, which prompted violent protests in Los Angeles against the Trump administration and ICE. There is now a curfew in place in certain areas in LA.
Guobadia celebrated living in the US last year with an Instagram post just days before Williams filed for divorce from him, following 15 months of marriage.
Guobadia wrote: ‘Happy Tuesday to all who ever overcame and persevered in life. You are winning #42yearsLivinginAmerica.’
He was first introduced on the Bravo show as the husband of Williams’ RHOA co-star Falynn Pina, however the pair went their separate ways after filming season 13.
Williams broke her silence over the end of her 15-month marriage to Simon, who she first began dating in 2021, and acknowledged the supportive messages she had received from fans.
‘Thank you for your prayers & support.’ she wrote alongside a broken-heart emoji in a caption.
Metro contacted Porsha Williams and Simon Guobadia for comment.
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A sequel-sized success (Nintendo) Nintendo has announced the worldwide sales figures for the Switch 2 after four days, and they’re more than any other console in history. After insiders claimed the Switch 2 was set to break worldwide sales records, Nintendo has confirmed the console […]
GamingNintendo has announced the worldwide sales figures for the Switch 2 after four days, and they’re more than any other console in history.
After insiders claimed the Switch 2 was set to break worldwide sales records, Nintendo has confirmed the console has done exactly that.
In a post on X, Nintendo announced the Switch 2 has sold over 3.5 million units worldwide in its first four days, making it not only the fastest-selling Nintendo console ever but the fastest-selling console of all time.
This means the Switch 2 is already outpacing the original Switch, which managed 2.7 million units within its first month in 2017. Nintendo set a target of 15 million sales for the Switch 2 by the end of March next year, and if stock remains plentiful, these early figures suggest it will surpass that number easily.
While Nintendo has only talked about the console’s sales in terms of the company’s own history, it appears to be the fastest-selling console ever. The PlayStation 5 shipped (not sold) 3.4 million units within its first four weeks, while the PlayStation 4 sold 2.1 million units within its first month.
Sony’s PlayStation 5 was subject to significant stock shortages amid the pandemic, so the Switch 2’s success is a reflection of Nintendo’s efforts to ensure there’s plenty of supply. Prior to launch, Nintendo said it planned to have enough consoles to counter scalpers, and it seems like that strategy has worked.
#NintendoSwitch2 has sold over 3.5 million units worldwide in its first four days, becoming the fastest-selling Nintendo hardware ever globally. pic.twitter.com/JNrl3Z92pv
— Nintendo of America (@NintendoAmerica) June 11, 2025
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As for UK numbers, the Switch 2 is the fastest-selling Nintendo console ever in the country, but it is the fourth overall behind the Xbox Series X/S, the PlayStation 4, and the PlayStation 5. The UK has always been Nintendo’s least successful major market though, so that isn’t surprising.
The Switch 2’s success is particularly impressive considering its launch line-up, outside of Mario Kart World, is devoid of essential exclusives from Nintendo.
There is strong third party support but only for existing titles, some of which are fairly old. The only two exclusive third party titles are Konami’s Survival Kids and the budget-priced Fast Fusion.
Nintendo’s first party output is set to expand in the coming months, with Donkey Kong Bananza, Metroid Prime 4: Beyond, Kirby Air Riders, and Pokémon Legends: Z-A all expected to arrive before Christmas.
Nintendo also recently announced a Splatoon spin-off called Splatoon Raiders, although it’s unclear when it will be released.
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Blu’s line wasn’t just cringeworthy – it was downright heartbreaking (Picture: Joel Anderson/ITV/Shutterstock) A sigh left my lips the second I saw the Love Island cast – 10 new faces, and only one Black woman and one Black man amongst them. And it wasn’t long […]
TVA sigh left my lips the second I saw the Love Island cast – 10 new faces, and only one Black woman and one Black man amongst them.
And it wasn’t long before another disappointment that would have been a gut punch to Black women like me watching – when Alima was dismissed in minutes by her new partner Blu, who bluntly told her she ‘wasn’t his type on paper’.
Blu’s line wasn’t just cringeworthy – it was downright heartbreaking.
As a Black woman, it’s hard not to feel a surge of frustration and sadness when you see yet another Black woman on Love Island being relegated to the sidelines.
It’s not just about one comment; it’s about a pattern of erasure and the constant feeling of being an afterthought that I recognise from my own life.
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It reminds me of all those times of not feeling good enough, or feeling like I had to always be 10 times better than white counterparts just to get half of what they are getting.
Or all those compliments about my ‘strength’ and ‘resilience’ while peers received comments on their beauty.
So not only does the ITV show need to up their game in terms of recruiting Black islanders, they need to be wary of how they are treated.
Because Love Island’s persistent failure to appropriately look after Black women – by failing to uplift them (whether that be because of lack of suitable romantic matches or, as in past seasons, placing them among people who have disrespected them) – isn’t just a casting issue, it’s a reflection of deeper societal biases.
This has been a recurring theme across almost every season of the ITV show, with Yewande saying her name was mispronounced in 2019, Samira from 2018 being overlooked and feeling like she was the ‘token’ Black woman on the show, and Kaz Kamwi, like other Black female contestants before her (Yewande and Samira included), was chosen last in the initial coupling up during her stint in 2021.
These incidents reveal a consistent pattern undermining the experiences of Black contestants, and the show’s producers need to take a long, hard look at the messages they’re sending.
Are they actively seeking out diverse contestants who are genuinely attracted to Black women? Are they providing adequate emotional support, and representation and diversity behind the scenes, to ensure these women don’t feel isolated?
Until Love Island moves beyond surface-level diversity and tackles the underlying issues, it will continue to perpetuate harmful stereotypes and fail the Black women who dare to enter the villa.
Yewande, a scientist, was often overlooked and found it difficult to form meaningful connections and has consistently spoken out about the lack of representation in the show, recounting her own experiences of men’s ‘types’ on the show invariably being Eurocentric ideals of blonde hair and blue eyes.
Love Island needs to do better – not just for the sake of its Black contestants, but for the sake of its viewers, who deserve to see a more authentic and inclusive representation of love.
The UK is a melting pot, a vibrant tapestry of cultures and backgrounds. So why does Love Island insist on serving up the same tired narrative year after year where Black women are forced to ask why they aren’t doing more.
Meanwhile, across the pond, Love Island USA is displaying a cast as diverse as the country it stands for.
Watching that version, there are a number of Black contestants, all are celebrated in their own unique way. It gives viewers a sense of representation and a welcoming feeling.
Olandria and Chelley are given more options and respected and found attractive in a way it often seems UK contestants aren’t.
The conversation between Blu and Alima felt like a painful reminder of the narrow beauty standards that still dominate the show – and, let’s be honest, society.
I don’t think Blu would have told a blonde white girl that she wasn’t his type within seconds of meeting her.
For me, Blu’s comment, and the wider issues with Love Island, just reinforces the idea that Black women are somehow less desirable, and that is a damaging message to send.
Love Island needs to do more than just tick boxes. It needs to create a space where everyone feels valued and has a fair chance at finding love, regardless of their background.
So with six weeks to go, let’s bring in some bombshells who actually appreciate Black contestants. It’s not about forcing anything, but about creating a space where everyone feels seen and desired.
Love Island is viewed by millions, and it is off to a bleak start for Black women after last night.
But it has the potential to be more than just a manufactured drama fest. It’s time to ditch the tired tropes and create a season that’s genuinely exciting, inclusive, and full of surprises.
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